本文關鍵詞：西方騎士文學的情與中國俠義小說的義　出處：《重慶師范大學》2006年碩士論文　論文類型：學位論文

  更多相關文章： 騎士文學 俠義小說 騎士精神 俠義精神 騎士文化 俠義文化 情 義

【摘要】： 在研究中華傳統(tǒng)文化的熱潮中,學術界對傳統(tǒng)的上層精英文化給予了較多矚目,對下層的民間文化則缺乏相應的關注。俠義小說作為極具中國傳統(tǒng)特色的文學樣式,是民間文化的重要組成部分。小說表現(xiàn)的俠義精神滲透在中華民族的“國民性”中。中世紀歐洲的騎士文學,是騎士制度的產物,它體現(xiàn)的騎士精神對現(xiàn)代歐洲的民族性格的塑造起著極其重大的作用。作為人學的文學,西方騎士文學與東方俠義小說存在一些差異和某些共同點。兩者作為東西方不同文化體系的產物,為比較文學的平行研究提供了一個廣闊的跨文化語境�；诖�,本文以騎士文學和俠義小說作為研究對象,運用平行研究的方法,選取“情”和“義”兩個角度,從文學現(xiàn)象入手分析異同,再切入到文化層面,發(fā)掘深層原因,力求能管中窺豹,揭示中西兩種文化的特質,闡釋俠義精神和騎士精神在文化性質、價值觀念以及對國民性的影響上的差異。 本文主體共分五部分:第一部分從總體概述騎士制度與騎士文學以及俠文化和俠義小說,為全文提供一個歷史文化語境。一、明確騎士制度的概念,介紹學術界對騎士制度的評價所持的兩種截然不同的態(tài)度。從歷史、社會現(xiàn)實、經濟、思想條件等方面論述騎士制度的產生,這些因素對騎士、騎士文學、騎士精神都產生了重要影響。二、從內容、類型、題材、代表作等方面勾勒騎士文學的大致形象,以辯證法的要求,從進步性即對人性及個人主義的宣揚、對宗教倫理道德的突破與局限性即封建依附性兩個方面對它作了客觀評價。三、談及俠的起源,介紹《韓非子·五蠹》和《史記·游俠列傳》對俠的兩種相互對立的評價,明確司馬遷對俠的闡釋成為后世所有俠士行為準則和人格精神、價值取向的代表,形成我國傳統(tǒng)的俠義觀念。史書中的俠成為了后世文學中俠義形象的先驅,為游俠從史實走向小說奠定基礎。四、簡述俠義小說的發(fā)展歷史,限定本文定義的俠義小說的研究范圍,即先秦兩漢至清代末年這一時期的武俠小說。就其貢獻和局限進行一分為二的客觀評價。五、在綜述騎士文學和俠義小說的基礎上,通過對代表文本的解讀、對騎士精神和俠義精神的比較,結合社會背景,指出兩者同質的一面——對英雄的崇拜和渴望。 第二部分,重點論述騎士文學和俠義小說中的情。典雅愛情成為騎士文學中最基本的題材,在騎士文學中得到充分的表現(xiàn)。這種典雅愛情具有積極意義,產生了很大的社會影響。與此相反,中國的俠義小說在對情的表現(xiàn)上經歷了從有情
[Abstract]:In the upsurge of studying Chinese traditional culture, academic circles pay more attention to the traditional elite culture. On the other hand, there is a lack of attention to the lower folk culture. Chivalrous novels as a literary style with Chinese traditional characteristics. The chivalrous spirit of the novel permeates the "national character" of the Chinese nation. The chivalry literature of medieval Europe is the product of chivalry system. The chivalry embodied in it plays an extremely important role in shaping the national character of modern Europe. There are some differences and some similarities between western chivalrous literature and oriental chivalrous novels, both of which are the products of different cultural systems between the East and the West. It provides a broad cross-cultural context for the parallel study of comparative literature. Based on this, this paper takes chivalrous literature and chivalrous novels as the object of study, using the method of parallel study. From the two angles of "emotion" and "meaning", this paper analyzes the similarities and differences from the literary phenomenon, then cuts into the cultural level, excavates the deep reasons, tries to be able to control the prying leopard, and reveals the characteristics of the two cultures. Explain the differences between chivalry and chivalry in cultural nature, values and influence on national character. The main body of this paper is divided into five parts: the first part gives a general overview of chivalry system and chivalrous literature as well as chivalrous culture and chivalrous novels, which provides a historical and cultural context for the full text. First, it clarifies the concept of chivalry system. This paper introduces two different attitudes to the evaluation of chivalry system in academic circles. It discusses the emergence of chivalry system from the aspects of history, social reality, economy, ideological conditions, and so on. These factors have great influence on chivalry and chivalry literature. Chivalry has an important impact. Second, from the content, type, subject matter, representative works and other aspects outline the general image of chivalry literature, to the requirements of dialectics, from the progressive that is, the promotion of human nature and individualism. The breakthrough and limitation of religious ethics, that is, feudal attachment, are objectively evaluated. Third, the origin of chivalrous. This paper introduces two kinds of opposite evaluation of chivalrous in Hanfeizi Five-Bree and Shiji Ranger Biography. It is clear that Si Maqian's explanation of chivalrous man has become the representative of all the chivalrous men's behavior code, personality spirit and value orientation in later generations. Form the traditional chivalrous concept in our country. The chivalrous man in the history books became the pioneer of chivalrous image in the later literature, which laid the foundation for the ranger to move from the historical facts to the novel. 4, briefly describes the development history of chivalrous novel. Limit the research scope of chivalrous novels defined in this paper, that is, the martial arts novels in the period from pre-Qin and Han dynasties to the end of Qing Dynasty. On the basis of summarizing chivalrous literature and chivalrous novels, through the interpretation of representative text, the comparison of chivalrous spirit and chivalrous spirit, combined with the social background. Pointing out the homogenous side of the two-the worship and desire for heroes. The second part focuses on chivalry literature and chivalrous novels. Elegant love has become the most basic subject matter in chivalry literature and has been fully displayed in chivalry literature. This kind of elegant love has positive significance. On the contrary, Chinese chivalrous novels have experienced feelings in the performance of love.
【學位授予單位】：重慶師范大學
【學位級別】：碩士
【學位授予年份】：2006
【分類號】：I0-03;I106.4

【引證文獻】

相關期刊論文 前1條

1 唐恬恬;;俠客與騎士——淺析中法文學作品中“俠”的異同[J];文教資料;2009年07期

相關碩士學位論文 前2條

1 沈劍蕾;中國俠士精神與西方騎士精神比較研究[D];寧波大學;2010年

2 張琳琳;論歐洲中世紀騎士文學的美學精神[D];黑龍江大學;2010年

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本文編號：1432893