本文關(guān)鍵詞：江西紅色文化題材美術(shù)創(chuàng)作研究　出處：《江西師范大學(xué)》2014年碩士論文　論文類(lèi)型：學(xué)位論文

  更多相關(guān)文章： 江西紅色文化 歷史題材 意義 傳承

【摘要】：本文圍繞江西豐富的紅色歷史文化資源，以江西紅色文化題材美術(shù)繪畫(huà)創(chuàng)作為研究對(duì)象，主要對(duì)江西自1949年-1990年期間創(chuàng)作的關(guān)于紅色文化美術(shù)創(chuàng)作進(jìn)行收集和整理，，并結(jié)合具體創(chuàng)作參考文獻(xiàn)資料研究分析。 第一點(diǎn)主要對(duì)江西紅色美術(shù)創(chuàng)作的研究背景及動(dòng)機(jī)作了宏觀的敘述，描述了自1949年建國(guó)以來(lái)至1990年期間江西形成的紅色文化及從現(xiàn)代國(guó)家重大歷史題材美術(shù)創(chuàng)作工程的獨(dú)特角度闡述現(xiàn)代人們遺忘祖國(guó)紅色歷史的現(xiàn)狀。 第二點(diǎn)主要對(duì)江西紅色文化美術(shù)創(chuàng)作、紅色革命歷史題材進(jìn)行概念的界定。為文章后面做好鋪墊。 第三點(diǎn)梳理江西自1949年-1990年期間紅色文化題材的具體美術(shù)創(chuàng)作，尤其在文革時(shí)期及粉碎四人幫時(shí)期的江西紅色美術(shù)創(chuàng)作，我們會(huì)發(fā)現(xiàn)當(dāng)時(shí)的美術(shù)創(chuàng)作已經(jīng)不僅僅只是滿足人們的審美需要更多的是為政治宣傳服務(wù)。許多作品印證了紅色美術(shù)作品必然受政治的強(qiáng)大影響，同時(shí)也深深地影響著當(dāng)時(shí)人民大眾的審美情趣和愛(ài)國(guó)標(biāo)準(zhǔn)。滿足了當(dāng)時(shí)處于革命激情之中的人們對(duì)偉大祖國(guó)的熱愛(ài)。這些同樣在十一屆三中全會(huì)時(shí)期和改革開(kāi)放時(shí)期江西紅色美術(shù)創(chuàng)作中得以體現(xiàn)。 第四點(diǎn)著重介紹當(dāng)代江西畫(huà)家對(duì)傳統(tǒng)紅色文化的繼承和發(fā)展，敘述傳承江西紅色文化的必要性。 第五點(diǎn)重點(diǎn)分析國(guó)家重大歷史題材美術(shù)創(chuàng)作活動(dòng)江西具有代表性的紅色美術(shù)創(chuàng)作。
[Abstract]:This paper focuses on the history of Jiangxi's rich red cultural resources in Jiangxi, the red culture theme art painting as the research object, mainly in Jiangxi since the 1949 -1990 period on the creation of the red culture art collection and collation, and combined with the analysis of the specific reference to the creation of literature research.
The first main point of Jiangxi red art creation background and motivation for the macro narration, description of the period since 1949 to 1990 the formation of Jiangxi red culture and from the unique perspective of modern art creation of national major historical themes of modern engineering people forget the motherland. Red historical status
The second point is mainly to define the red cultural and artistic creation of Jiangxi and the concept of the historical theme of the red revolution.
The art of red culture theme third combing Jiangxi since 1949 during -1990, especially during the cultural revolution and the downfall of the gang of four periods of Jiangxi red art creation, we will find that the creation of art is not only to meet the aesthetic needs of people more for political propaganda. Many works confirmed the strong effect of Red Art inevitable by politics, but also deeply affects the people's aesthetic taste and patriotic standards. To meet the people in the revolutionary fervor of the love of the great motherland. The same period in the third Plenary Session of the 11th CPC Central Committee and the period of reform and opening up of Jiangxi red art creation to be reflected.
The fourth point is to introduce the inheritance and development of contemporary Jiangxi painters to the traditional red culture, and to describe the necessity of inheriting the red culture of Jiangxi.
The fifth point focuses on the analysis of the national major historical themes of art creation activities in Jiangxi, which is the representative of the red art.

【學(xué)位授予單位】：江西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：J04

【參考文獻(xiàn)】

相關(guān)期刊論文 前4條

1 潘嘉峻;毛主席關(guān)懷革命畫(huà)[J];美術(shù);1977年05期

2 ;社會(huì)主義美術(shù)的新成就——

本文編號(hào)：1380164