【摘要】：文章圍繞中國(guó)中古時(shí)期樂(lè)人身份制度的形成以及中古伎樂(lè)演化的論題,對(duì)中古時(shí)期樂(lè)人、伎樂(lè)歌舞研究成果作了細(xì)致地梳理與分析,其中也涉及伎樂(lè)歌舞的類(lèi)型與行為方面身份制度的產(chǎn)生與發(fā)展等方面的研究文論。作者對(duì)相關(guān)樂(lè)人、伎樂(lè)研究成果的檢視,為學(xué)界開(kāi)展中古樂(lè)人社會(huì)地位與中古伎樂(lè)演化研究提供了必要的學(xué)術(shù)準(zhǔn)備。
[Abstract]:Focusing on the formation of the identity system of musicians and the evolution of music in the Middle Ages of China, this paper makes a detailed analysis and analysis of the research results of the music and dance of the Middle Ages, including the emergence and development of the identity system in the aspects of the types and behaviors of the songs and dances, as well as the emergence and development of the identity system in the aspects of the types and behaviors of the songs and dances in the Middle Ages. The author's examination of the research results of the relevant musicians and tricks provides the necessary academic preparation for the academic circles to carry out the study of the social status and the evolution of the ancient music.
【作者單位】： 西安音樂(lè)學(xué)院西北民族音樂(lè)研究中心;
【基金】：2011年國(guó)家社會(huì)科學(xué)基金藝術(shù)學(xué)項(xiàng)目《中古良賤樂(lè)人社會(huì)身份的形成與中古伎樂(lè)的轉(zhuǎn)型》(項(xiàng)目編號(hào):11BD041)成果
【分類(lèi)號(hào)】：J609.2
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本文編號(hào)：2526222