白居易宏觀與微觀音樂美學(xué)思想研究
發(fā)布時間:2019-06-26 17:07
【摘要】:文章從統(tǒng)計白居易的音樂詩文數(shù)量入手,研究了他的重要音樂詩作及其理論文獻(xiàn),從宏觀和微觀兩個方面得出了一些重要結(jié)論。宏觀方面以"和"的思想著名,微觀方面,他提出了表演理論中的"情感先行"(器樂)和"聲情并茂"(聲樂)音樂美學(xué)理論,這是白居易思想中創(chuàng)造性的發(fā)現(xiàn)。筆者亦就白居易思想來源談了自己的觀點。
[Abstract]:Based on the statistics of Bai Juyi's musical poems, this paper studies his important musical poems and his theoretical literature, and draws some important conclusions from both macro and micro aspects. On the macro side, he is famous for his thought of "harmony". On the micro side, he puts forward the theory of "emotion first" (instrumental music) and "sound and emotion" (vocal music) music aesthetics theory in performance theory, which is a creative discovery in Bai Juyi's thought. The author also discusses his own point of view on the source of Bai Juyi's thought.
【作者單位】: 中國人民大學(xué)藝術(shù)學(xué)院;
【分類號】:J601
[Abstract]:Based on the statistics of Bai Juyi's musical poems, this paper studies his important musical poems and his theoretical literature, and draws some important conclusions from both macro and micro aspects. On the macro side, he is famous for his thought of "harmony". On the micro side, he puts forward the theory of "emotion first" (instrumental music) and "sound and emotion" (vocal music) music aesthetics theory in performance theory, which is a creative discovery in Bai Juyi's thought. The author also discusses his own point of view on the source of Bai Juyi's thought.
【作者單位】: 中國人民大學(xué)藝術(shù)學(xué)院;
【分類號】:J601
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9 池瑾t,
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