發(fā)布時間：2018-06-01 19:40

  本文選題：雙簧管 + 簧片��； 參考：《上海音樂學院》2005年碩士論文

【摘要】：本文是關于雙簧管簧片的類型、制作及其與演奏實踐關系的研究。研究范圍是簧片的不同類型,簧片的制作工序,并對雙簧管和簧片的歷史進行詳細的回顧。通過對簧片的闡述來分析它與樂器之間的關系和影響,以及在實際演奏特別是雙簧管參與樂隊演奏時的重要作用。作為一篇雙簧管簧片理論方面的專題論述,希望對本專業(yè)演奏人員在演奏過程中能起到參考和借鑒的作用,對于研究簧片的制作和與之相關的音色、表演實踐等方面都有一定的實際意義。 論文分為五章,第一章敘述簧片的重要性:闡明一些聲學原理與雙簧管的簧片之間的關系,并對簧片和音色的關系作分析,簧片的好壞對于音色的影響是非常大的,本章中將對此論點進行深入的研究,闡明雙簧管樂器本身與簧片、音色與簧片之間的重要關系。第二章描述樂器和簧片的歷史。在本章中,論文將先對雙簧管的歷史進行敘述。雙簧管是一種極為古老的樂器,在經過了多個世紀的演變后,形成了從低音到高音各種不同調式的樂器家族系列。通過對雙簧管家族歷史的描述,從而進一步理順與它相關的簧片的由來。第三章介紹不同類型的簧片�；善男薹ǘ喾N多樣,不同地區(qū)及不同演奏家可能出現(xiàn)不同的簧片樣式,每種類型模式的簧片演奏出來的音色又有一些不同,各有其特色。本人通過舉例說明一些具有代表性的簧片樣式的修法和它所采用的技術手段,更清楚的了解雙簧管簧片的類型,從根本上對簧片有更進一步的認識,并對我國的簧片的類型作些分析,闡述其產生和發(fā)展的歷史。第四章介紹簧片的制作過程。做簧片對于每一個從事專業(yè)演奏的人來說,是件必須掌握的本領。許多學生為了擁有一個自己滿意的簧片,經常需要花上大量的時間。本章就簧片的制作過程進行詳細的闡述,對于一些具體的技術性問題進行分析和研究。第五章是關于簧片類型與表演實踐關系的論述。在這一章中,本人將對簧片的類型與在獨奏和樂隊中的關系做更多的分析,闡明雙簧管簧片在演奏中的重要地位,以及在表演實踐中的應對方法,提出對于這個專題的更深層次的思考與可行性研究。
[Abstract]:This paper is about the type of oboe Reed, its production and its relationship with playing practice. The research scope is the different types of Reed, the process of making Reed, and the history of oboe and Reed is reviewed in detail. The relationship and influence between the Reed and the musical instrument are analyzed through the elaboration of the Reed, as well as its important role in the actual performance, especially when the oboe is playing in the band. As a special topic on the theory of oboe Reed, it is hoped that it can be used as a reference for the professional players in the process of playing, and for the study of the making of the Reed and the related timbre. Performance practice and other aspects have certain practical significance. The paper is divided into five chapters. The first chapter describes the importance of the Reed: to clarify the relationship between some acoustic principles and the oboe Reed, and to analyze the relationship between the Reed and the tone color. In this chapter, we will make a deep study of this argument and clarify the important relationship between oboe itself and Reed, timbre and Reed. The second chapter describes the history of musical instruments and Reed. In this chapter, the history of the oboe will be described first. The oboe is an ancient musical instrument that has evolved over many centuries into a family of instruments ranging from bass to treble. The history of the oboe family is described to further straighten out the origin of its related Reed. The third chapter introduces the different types of Reed. There are many kinds of revision methods of Reed, different regions and different players may appear different styles of Reed, and each type of Reed plays different timbre and has its own characteristics. Through illustrating some representative reeds and the technical means it uses, I have a clearer understanding of the types of oboe reeds, and have a better understanding of the oboe fundamentally. The types of Reed in China are analyzed, and the history of its emergence and development is expounded. The fourth chapter introduces the making process of Reed. Making Reed is an essential skill for anyone who plays professionally. Many students often spend a lot of time in order to have a satisfying Reed. In this chapter, the production process of Reed is described in detail, and some specific technical problems are analyzed and studied. The fifth chapter discusses the relationship between Reed type and performance practice. In this chapter, I will do more analysis on the relationship between the type of Reed and the solo and band, expound the important position of the oboe Reed in the performance, and how to deal with it in the performance practice. Further thinking and feasibility study on this topic are put forward.
【學位授予單位】：上海音樂學院
【學位級別】：碩士
【學位授予年份】：2005
【分類號】：J621.3

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本文編號：1965392