發(fā)布時間：2018-03-16 15:34

  本文選題：蒙古族風格　切入點：小提琴作品　出處：《天津音樂學院》2013年碩士論文　論文類型：學位論文

【摘要】：隨著時代的推進,文化融合與更新的步伐愈來愈快,若想在這時代大潮中擁有自己的一席之地,突出民族特色則是文化發(fā)展的必經之路。近些年,蒙古族音樂發(fā)展迅猛,其深沉悠遠的長調、熱烈歡快的短調、民族樂器的演奏技法和特殊音效等受到世界各國音樂愛好者的喜愛。中國蒙古族風格小提琴作品作為蒙古族傳統(tǒng)音樂的一種傳播途徑,不僅充實了我國的小提琴藝術寶庫,也豐富了小提琴自身的音樂語匯及演奏技法。 目前,就筆者所搜集到的資料及相關文獻中對中國蒙古族風格小提琴作品的研究大都是單獨針對其創(chuàng)作、演奏、教學等的某一方面,且僅是在對我國小提琴作品做整體研究中有所涉及,而專門針對蒙古族風格小提琴作品進行研究的文獻則相對貧乏。本文通過對我國蒙古族風格的小提琴作品進行搜集、梳理、分類,從創(chuàng)作特征及演奏技法兩個方面對其進行了探究,并總結了其在發(fā)展過程中所存在的問題,從而提出相應的解決辦法。中國蒙古族風格小提琴作品曾為我國小提琴藝術的發(fā)展做出過較大貢獻,但在發(fā)展過程中由于多方面的原因并未受到應有的重視,且這些問題也存在于我國其他民族風格的小提琴作品中。筆者希望通過本文使廣大音樂工作者及愛好者對其有一個相對詳細的認知,逐步擴大中國蒙古族風格小提琴作品的影響力,最終在更好地傳播蒙古族音樂的同時促進我國小提琴藝術的發(fā)展。
[Abstract]:With the advance of the times, the pace of cultural integration and renewal is getting faster and faster. If you want to have your own place in the tide of this era, highlighting the national characteristics is the only way to cultural development. In recent years, Mongolian music has developed rapidly. Its deep and distant long tune, warm and cheerful short tune, the technique of playing national musical instruments and special sound effects are loved by music lovers all over the world. Chinese Mongolian violin works are regarded as a way of spreading Mongolian traditional music. It not only enriches the treasure house of violin art, but also enriches the musical vocabulary and techniques of violin itself. At present, most of the research on Chinese Mongolian violin works collected by the author and related literature is aimed at one aspect of its creation, performance, teaching and so on. And it is only involved in the overall study of violin works in China, while the literature devoted to the study of Mongolian violin works is relatively poor. This paper collects and combs the violin works of Mongolian style in our country. Classification, from the creative characteristics and performance techniques to explore its two aspects, and summed up its problems in the process of development, Chinese Mongolian violin works have made great contributions to the development of violin art in China, but due to various reasons in the process of development, they have not received due attention. And these problems also exist in the violin works of other nationalities in China. The author hopes to make the majority of music workers and lovers have a relatively detailed understanding of it through this article. Gradually expand the influence of Chinese Mongolian violin works, and finally promote the development of Chinese violin art while spreading Mongolian music better.
【學位授予單位】：天津音樂學院
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J622.1

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本文編號：1620543