本文選題：二夾弦　切入點(diǎn)：演唱特點(diǎn)　出處：《河南大學(xué)》2006年碩士論文　論文類型：學(xué)位論文

【摘要】： 中國(guó)的戲曲是一個(gè)集多種藝術(shù)形式于一身的綜合藝術(shù)形態(tài),它是中國(guó)傳統(tǒng)文化遺產(chǎn)的一部分,它以鮮明的民族藝術(shù)形式來(lái)表現(xiàn)中國(guó)人的生活世界,反映著中華民族的思想情感和藝術(shù)追求,具有鮮明的民族特色。 黃河流域是中華民族的文化搖籃,河南則是搖籃里的一顆璀璨明珠,是中華民族和華夏文明的重要發(fā)祥地,在中華民族乃至東方文化的形成和發(fā)展史上都具有非常重要地位。 “戲曲在河南,從樂(lè)舞開(kāi)始,巫儺蛻變,倡優(yōu)坐胎,從“百戲”推演,到雜劇誕生,大約經(jīng)過(guò)了四五千年,”1河南除了豫劇,曲劇等大劇種之外,二夾弦也是一個(gè)具有濃郁地方特色的劇種。 本文從四個(gè)章節(jié)來(lái)介紹二夾弦這個(gè)稀有劇種的幾個(gè)方面,從產(chǎn)生演變、發(fā)展以及它的音樂(lè)、伴奏、演唱方法等幾個(gè)方面來(lái)介紹二夾弦。 本文結(jié)構(gòu)大致可分為以下五個(gè)部分: 第一章:介紹二夾弦的產(chǎn)生、演變、主要?jiǎng)∧亢同F(xiàn)狀 第二章:二夾弦的唱腔形式,通過(guò)唱腔形態(tài)介紹,說(shuō)明二夾弦豐富的唱腔音樂(lè) 第三章:二夾弦的演唱方法 第四章:介紹二夾弦的伴奏音樂(lè)以及伴奏中豐富的音樂(lè)表現(xiàn)形式。 結(jié)語(yǔ):通過(guò)對(duì)二夾弦的研究探索、豐富和充實(shí)了戲曲研究的課題。
[Abstract]:Chinese opera is a comprehensive art form that integrates many kinds of art forms. It is a part of Chinese traditional cultural heritage. It expresses the life world of Chinese people with distinct national art forms. Reflects the Chinese nation's ideological feelings and artistic pursuit, with distinctive national characteristics. The Yellow River Basin is the cradle of Chinese culture, while Henan is a bright pearl in the cradle. It is an important birthplace of the Chinese nation and Chinese civilization, and plays an important role in the formation and development of the Chinese nation and even the oriental culture. "Drama in Henan, beginning with music and dance, changing from Wu Nuo, advocating superior sitting, from the" hundred Drama "to the birth of the zaju, it took about four or five thousand years," 1Henan, in addition to Henan opera, qu opera and other major drama, The second chord is also a play with strong local characteristics. This paper introduces several aspects of this rare play from four chapters, including its evolution, development, music, accompaniment, singing method and so on. The structure of this paper can be roughly divided into the following five parts:. Chapter 1: introduction to the emergence, evolution, main repertoire and present situation of the two chords. The second chapter: the singing form of the two chords, through the introduction of the singing form, explains the rich singing music of the two chords. Chapter three: singing method of two chords. Chapter 4th: introduce the accompaniment music of the two chords and the rich musical forms in the accompaniment. Conclusion: through the research of the two-chords, it enriches and enriches the subject of opera research.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2006
【分類號(hào)】：J617.5

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 王修全;隋唐大運(yùn)河商丘段的遺產(chǎn)構(gòu)成與價(jià)值分析[D];鄭州大學(xué);2011年

2 吳佳文;音樂(lè)傳承的時(shí)代變遷[D];中國(guó)藝術(shù)研究院;2008年

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本文編號(hào)：1619905