本文關鍵詞： 中國傳統(tǒng)音樂 鋼琴改編曲 音樂分析 藝術特色 民族風格　出處：《西北師范大學》2005年碩士論文　論文類型：學位論文

【摘要】：中國鋼琴音樂經(jīng)歷了建國前、建國初期、文化大革命和當代這些不同歷史時期,從無到有,從萌芽到蓬勃發(fā)展,逐步走向繁榮,呈現(xiàn)出創(chuàng)作風格多元化,音樂內(nèi)容多樣化的可喜態(tài)勢。在這個過程中,我國作曲家不斷融匯、消化西方的創(chuàng)作技法,在西方的樂器——鋼琴上創(chuàng)作與發(fā)展了具有民族特色風格的音樂作品。其中,根據(jù)傳統(tǒng)器樂曲改編的鋼琴曲以其濃郁的民族風格和氣質(zhì)確立了其在中國鋼琴音樂創(chuàng)作中的重要地位。 本文以五首具有代表性的傳統(tǒng)器樂曲改編的鋼琴曲為研究對象,分析探討其創(chuàng)作手法和藝術特色以及對中國傳統(tǒng)音樂的繼承再現(xiàn)與發(fā)展更新,肯定此類樂曲在中國鋼琴音樂中的藝術價值。 論文分三大部分: 一、緒論:說明傳統(tǒng)音樂改編曲在中國鋼琴音樂中的重要地位以及研究這一課題的目的及意義,并概述本論題的主要內(nèi)容。 二、本論:是論文的主體部分,分三個部分進行論述。 1、原曲與改編曲簡介:介紹原曲的音樂內(nèi)容及演奏形式,簡介五首鋼琴改編曲。 2、五首改編曲的音樂分析:對五首改編曲在曲式結構、調(diào)式調(diào)性、和聲、旋律、織體等方面進行分析。 3、五首改編曲創(chuàng)作方面的藝術特色:從四個方面總結了作曲家在創(chuàng)作鋼琴改編曲的過程中如何保留原曲的傳統(tǒng)民族特色,同時又盡可能地充分發(fā)揮鋼琴的優(yōu)越性而形成了改編曲在創(chuàng)作方面的特色:(1) 中國傳統(tǒng)音樂標題引用的文學性特征,(2) 曲式結構運用的靈活性特征,(3) 中國傳統(tǒng)音樂主題的線性思維特征,(4)中國音樂“多聲化”思維的有益探索。 三、總結:通過對五首改編曲的分析和研究,看中國鋼琴音樂的創(chuàng)作原則和創(chuàng)作方向,闡明本文研究的價值取向,并總結改編曲對中國鋼琴藝術發(fā)展的歷史意義和現(xiàn)實意義。
[Abstract]:Chinese piano music experienced before the founding of the people's Republic of China, the initial period of the founding of the people's Republic of China, the Cultural Revolution and the contemporary historical period, from scratch to vigorous development, gradually towards prosperity, showing a diversity of creative styles. In this process, the composers of our country constantly merge and digest the western creative techniques. In the western musical instrument-piano creation and development of the style of music with national characteristics. The piano music adapted from the traditional instrumental music has established its important position in the Chinese piano music creation with its strong national style and temperament. This paper takes the piano music adapted from five representative traditional instrumental music as the research object, analyzes and discusses its creative techniques and artistic characteristics, as well as the inheritance, reproduction and development of the Chinese traditional music. Affirm the artistic value of this kind of music in Chinese piano music. The thesis is divided into three parts: 1. Introduction: explain the important position of traditional music adaptation in Chinese piano music, the purpose and significance of studying this subject, and summarize the main contents of this thesis. Second, this theory: is the main part of the paper, divided into three parts to discuss. 1. Introduction to the original and adapted music: the music content and performance form of the original music, and five piano adaptations. 2. Music analysis of five adaptations: this paper analyzes the musical structure, modulation, harmony, melody and texture of the five adaptations. (3) the artistic characteristics of the composition of the five adaptations: from four aspects, the author summarizes how the composer retains the traditional national characteristics of the original music in the process of creating the piano adaptation. At the same time, as far as possible to give full play to the superiority of the piano, formed the adapted music in the creation of the characteristics of the literary characteristics of the title of traditional Chinese music quoted. 3) the linear thinking characteristics of Chinese traditional music theme and (4) the beneficial exploration of "polyphonic" thinking in Chinese music. Third, summing up: through the analysis and research of the five adapted songs, the author looks at the creative principles and direction of Chinese piano music, and clarifies the value orientation of this study. And summarize the historical and practical significance of the music adaptation to the development of Chinese piano art.
【學位授予單位】：西北師范大學
【學位級別】：碩士
【學位授予年份】：2005
【分類號】：J605

【引證文獻】

相關碩士學位論文 前1條

1 李寧;陳培勛粵調(diào)鋼琴曲的民族化特征研究[D];東北師范大學;2007年

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本文編號：1457056