發(fā)布時(shí)間：2019-01-11 15:33

【摘要】：正節(jié)奏是音樂中最早出現(xiàn)的要素,它早在原始部落的音樂中就已存在。節(jié)奏可以獨(dú)立于其他音樂元素而存在,并具有豐富的表現(xiàn)功能,在音樂作品中具有重要的作用。關(guān)于節(jié)奏研究的意義,美國當(dāng)代音樂理論家?guī)觳兔芬疇栐谄鋵Ｖ兑魳返墓?jié)奏結(jié)構(gòu)》的論述中,賦予了全新的內(nèi)涵:"研究節(jié)奏就是研究音樂的全部。節(jié)奏既把所有的音樂要素組織起來,同時(shí)又被這些要素所組織,因而它產(chǎn)生并形成了音樂的全過程。"①美國當(dāng)代音樂理論家華納斯·伯利在其專著《音樂的結(jié)構(gòu)功能》中對節(jié)奏研究
[Abstract]:Positive rhythm is the earliest element of music, it already existed in the music of primitive tribe. Rhythm can exist independently of other musical elements, and has rich performance function, and plays an important role in music works. With regard to the significance of rhythm research, American contemporary music theorists Cooper and Mayer, in their monographs Rhythm structure of Music, endow with a new connotation: "the study of Rhythm is the whole study of Music." Rhythm organizes all the elements of music, and at the same time is organized by them. Therefore, it produces and forms the whole process of music. "1 the contemporary music theorist, Jonas Burleigh, studied rhythm in his monograph, the structure and function of Music."
【作者單位】： 蘇州科技學(xué)院音樂學(xué)院;上海音樂學(xué)院;
【分類號】：J613.7
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本文編號：2407289