謝苗諾夫手風琴曲《兒童組曲》研究
發(fā)布時間：2019-01-12 06:58
【摘要】： 手風琴演奏藝術扎根于俄羅斯民間音樂熱土之中,它以獨特的表現(xiàn)魅力,從民間世俗領域拓展至專業(yè)領域,成為俄羅斯音樂文化不可或缺的組成部分。謝苗諾夫的手風琴音樂作品不光具有濃郁民族風格,而且還是運用現(xiàn)代技法創(chuàng)作的具有民族特色的現(xiàn)代音樂風格的作品。他以豐富的民族本土文化資源為創(chuàng)作根源,扎實的民族音樂功底為創(chuàng)作動力,在吸收本民族音樂文化精髓的同時,以開放的姿態(tài)廣泛地接受和再造不同歷史時期藝術文化的各種素養(yǎng),創(chuàng)作出富有民族特點的兒童組曲。在六首兒童組曲中,無論是和聲進行、織體發(fā)展,還是旋律走向以及民族風格,無不透露出作曲家對傳統(tǒng)時代的并行,與此同時對現(xiàn)代風格與創(chuàng)作手法的運用,也展現(xiàn)于作品之中,使整部作品在不失傳統(tǒng)美的基礎上,表現(xiàn)出現(xiàn)代風格“創(chuàng)新”的特征。謝苗諾夫用最簡練、最自然的音樂語言描繪出一條條優(yōu)美而富于形象的旋律,讓人們在聽到這些旋律時,既能聯(lián)想到兒童的鮮明形象,又能辨別出謝苗諾夫獨具魅力的旋律線條。 本文分四部分對這六首兒童組曲加以研究討論。 第一部分謝苗諾夫生平以及影響他手風琴作品的創(chuàng)作因素。從兩個方面進行闡述,首先,作曲家生平簡介;其次,謝苗諾夫創(chuàng)作的動因。 第二部分謝苗諾夫六首《兒童組曲》的風格特征分析。這一部分通過微觀的分析和宏觀的歸納,對六首兒童組曲進行詳盡的分析。首先從兒童組曲的本體研究入手,結(jié)合音樂思想內(nèi)涵分章節(jié)地對其曲式結(jié)構(gòu),旋律,織體,節(jié)奏節(jié)拍,調(diào)式調(diào)性等方面進行全面分析;接著以此為基礎對《兒童組曲》的構(gòu)成特點進行總結(jié)概括。 第三部分謝苗諾夫六首《兒童組曲》的音樂特點。謝苗諾夫在六首樂曲的創(chuàng)作上既表現(xiàn)出許多慣用的手法,又有獨特的技法孕育其中。本文將從音樂語言、風格特征、作曲家巴揚化創(chuàng)作思維以及內(nèi)心情感四個方面對作品的創(chuàng)作特點進行闡述。 第四部分六首兒童組曲中演奏技術的應用。對于音樂環(huán)境的描述是在演奏過程中主要是對作者的創(chuàng)作意圖和作品所表達的藝術環(huán)境的襯托。在該作品的演奏過程當中,我們應該把握作品總體風格。六首《兒童組曲》的每一首樂曲在標題的襯托下,都是一個充滿戲劇性的小故事,是一幅完美的生活畫面。
[Abstract]:The accordion playing art is rooted in the Russian folk music hot land, it with the unique performance charm, expands from the folk secular domain to the specialized domain, becomes the Russian music culture indispensable constituent. Semyonov's accordion music not only has a strong national style, but also uses modern techniques to create a modern musical style with national characteristics. He took the rich national native cultural resources as the source of creation, the solid foundation of national music as the creative power, and absorbed the essence of his own national music culture at the same time. With an open attitude, we widely accept and recreate various qualities of art and culture in different historical periods, and create children's suites with national characteristics. In the six children's suites, whether it is harmony, texture development, melodic trend and national style, all reveal the composer's parallel to the traditional times, at the same time, the use of modern style and creative techniques. It is also shown in the works, so that the whole work shows the characteristics of "innovation" in modern style on the basis of the traditional beauty. Semyonov painted beautiful and vivid melodies in the most concise and natural musical language, which made people think of the vivid images of children when they were heard. Also can distinguish Semyonov's unique charm melody line. This paper is divided into four parts to study and discuss the six children's suites. The first part is about Semyonov's life and the factors that influence his accordion works. First, the life of the composer, and secondly, the motivation of Semyonov's creation. The second part is about the stylistic analysis of Semyonov's six children's suites. In this part, six children's suites are analyzed in detail by micro-analysis and macro-induction. First of all, starting with the study of children's suites, this paper makes a comprehensive analysis on the structure, melody, texture, rhythm and tone of children's suites according to the connotation of music thoughts. Then, on the basis of this, the author summarizes and generalizes the composing characteristics of Children's Suite. The third part is about the musical characteristics of Semyonov's six children's suites. Semyonov in the creation of six pieces of music not only showed a lot of customary techniques, but also has a unique technique pregnant with them. This paper expounds the creative characteristics of the works from four aspects: musical language, style characteristics, composer Bayanization's creative thinking and inner feelings. The fourth part is the application of playing technique in six children's suites. The description of the musical environment is the background of the author's creative intention and the artistic environment expressed in the performance process. In the performance of the work, we should grasp the overall style of the work. Each of the six children's suites, set off by the title, is a dramatic little story, a perfect picture of life.
【學位授予單位】：山東師范大學
【學位級別】：碩士
【學位授予年份】：2009
【分類號】：J624.3
本文編號：2407486
[Abstract]:The accordion playing art is rooted in the Russian folk music hot land, it with the unique performance charm, expands from the folk secular domain to the specialized domain, becomes the Russian music culture indispensable constituent. Semyonov's accordion music not only has a strong national style, but also uses modern techniques to create a modern musical style with national characteristics. He took the rich national native cultural resources as the source of creation, the solid foundation of national music as the creative power, and absorbed the essence of his own national music culture at the same time. With an open attitude, we widely accept and recreate various qualities of art and culture in different historical periods, and create children's suites with national characteristics. In the six children's suites, whether it is harmony, texture development, melodic trend and national style, all reveal the composer's parallel to the traditional times, at the same time, the use of modern style and creative techniques. It is also shown in the works, so that the whole work shows the characteristics of "innovation" in modern style on the basis of the traditional beauty. Semyonov painted beautiful and vivid melodies in the most concise and natural musical language, which made people think of the vivid images of children when they were heard. Also can distinguish Semyonov's unique charm melody line. This paper is divided into four parts to study and discuss the six children's suites. The first part is about Semyonov's life and the factors that influence his accordion works. First, the life of the composer, and secondly, the motivation of Semyonov's creation. The second part is about the stylistic analysis of Semyonov's six children's suites. In this part, six children's suites are analyzed in detail by micro-analysis and macro-induction. First of all, starting with the study of children's suites, this paper makes a comprehensive analysis on the structure, melody, texture, rhythm and tone of children's suites according to the connotation of music thoughts. Then, on the basis of this, the author summarizes and generalizes the composing characteristics of Children's Suite. The third part is about the musical characteristics of Semyonov's six children's suites. Semyonov in the creation of six pieces of music not only showed a lot of customary techniques, but also has a unique technique pregnant with them. This paper expounds the creative characteristics of the works from four aspects: musical language, style characteristics, composer Bayanization's creative thinking and inner feelings. The fourth part is the application of playing technique in six children's suites. The description of the musical environment is the background of the author's creative intention and the artistic environment expressed in the performance process. In the performance of the work, we should grasp the overall style of the work. Each of the six children's suites, set off by the title, is a dramatic little story, a perfect picture of life.
【學位授予單位】：山東師范大學
【學位級別】：碩士
【學位授予年份】：2009
【分類號】：J624.3
【引證文獻】
相關碩士學位論文 前2條
1 嚴海蒙;謝苗諾夫《保加利亞組曲》創(chuàng)作研究[D];河南大學;2011年
2 吳伯麟;謝苗諾夫《奏鳴曲一號》創(chuàng)作手法與演奏技巧探究[D];南京師范大學;2013年
，本文編號：2407486
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