本文選題：張維良 + 傳統(tǒng)與現(xiàn)代的契合�。� 參考：《中國(guó)音樂(lè)》2009年03期

【摘要】：本文通過(guò)對(duì)張維良的《南韻》和《天幻簫音》這兩首代表性作品的研究,以"傳統(tǒng)與現(xiàn)代的契合"這樣一種視角,以總體上對(duì)張維良在笛簫藝術(shù)的演奏、創(chuàng)作、音樂(lè)思想等方面已取得的成就進(jìn)行審視和思考。通過(guò)對(duì)他的演奏和創(chuàng)作實(shí)踐分析,回答當(dāng)代中國(guó)笛簫藝術(shù)應(yīng)當(dāng)如何選擇自身發(fā)展的道路,如何在實(shí)踐中形成和建立既科學(xué)、系統(tǒng),同時(shí)又具有自身文化特色的笛樂(lè)藝術(shù)表演體系。
[Abstract]:In this paper, through the study of Zhang Weiliang's two representative works, "Southern rhyme" and "Fantasy Xiao Sound", and from the perspective of "the consonance between tradition and modernity", the author makes a general analysis of Zhang Weiliang's performance and creation in the art of flute and Xiao. Music thought and other aspects of the achievements of the examination and reflection. Through the analysis of his performance and creative practice, this paper answers how the contemporary Chinese flute and Xiao art should choose its own way of development, and how to form and establish both scientific and systematic in practice. At the same time, it also has its own cultural characteristics of the flute and music art performance system.
【作者單位】： 湖南師范大學(xué)教育科學(xué)學(xué)院;
【分類(lèi)號(hào)】：J605
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本文編號(hào)：1817043