發(fā)布時間：2018-06-12 07:47

  本文選題：會展展示設(shè)計 + 生命周期��； 參考：《西安美術(shù)學(xué)院》2017年碩士論文

【摘要】：會展展示設(shè)計具有近百年的發(fā)展歷程,自從1851年英國倫敦舉辦的萬國工業(yè)博覽會發(fā)展到今天,設(shè)計的內(nèi)容和形式也走向成熟化和多元化,會展展示已成為人們生活中必不可少的一部分,并且對于會展展示設(shè)計的藝術(shù)與技術(shù)要求也在日益增高。生命周期這一概念自上世紀(jì)60年代被提出后一直受到人們的密切關(guān)注,在各個領(lǐng)域的應(yīng)用十分廣泛。生命周期設(shè)計謀求在整個生命時間期限內(nèi),對物質(zhì)資源和能源的優(yōu)化使用,最大限度地降低能源與材料的消耗,減少所產(chǎn)生的廢物量和環(huán)境排放量。當(dāng)下在會展展示設(shè)計領(lǐng)域的生命周期研究還是很少的,并且對于會展展示設(shè)計的生命周期研究,僅從物化的方面進(jìn)行研究是不夠的,會展展示活動是一個受眾參與度極高的設(shè)計,除其活動本身的物化生命周期,參與者在觀展交流的過程中也具有生命周期,展示活動也有它的生命周期。本文以生命周期為基礎(chǔ),對會展展示設(shè)計信息能量傳播的整個周期進(jìn)行研究。一方面從物質(zhì)的范疇對會展展示設(shè)計的原材料、展示形式等進(jìn)行生命周期的優(yōu)化分析;另一方面,從會展展示設(shè)計自身的生命周期研究,對主角“觀眾”在體驗過程中的生命周期及體驗后的情感、心理及認(rèn)知的生命周期作以研究。論文從生命周期的視角去研究會展展示設(shè)計,將其看做是一個有機(jī)整體,根據(jù)其系統(tǒng)的構(gòu)成,對各要素進(jìn)行整理與優(yōu)化,形成物質(zhì)流、能量流與信息流三方面內(nèi)容,以此探討會展展示設(shè)計整個生命周期的價值。首先分析了物質(zhì)流概念中物質(zhì)載體的現(xiàn)狀及特征;能量流概念中物質(zhì)能量與精神能量的表現(xiàn),及物質(zhì)能量向精神能量轉(zhuǎn)化的過程;信息流概念中的信息傳遞的特征和感官接收信息的方式;論文通過對物質(zhì)流、能量流和信息流之間的協(xié)同關(guān)系,建構(gòu)起會展展示設(shè)計生命周期研究的理論框架,以及三部分的設(shè)計方法。論文以可持續(xù)發(fā)展的角度,對會展展示設(shè)計整個生命周期進(jìn)行研究和探討。
[Abstract]:The exhibition design has been developing for nearly a hundred years. Since 1851, the contents and forms of the design have matured and diversified, since the industrial exposition held in London, England, in 1851. Exhibition has become an indispensable part of people's life, and the art and technology requirements of exhibition design are also increasing day by day. The concept of life cycle has been paid close attention to since it was put forward in 1960s, and has been widely used in various fields. Life cycle design seeks to optimize the use of material resources and energy throughout the life period, minimize the consumption of energy and materials, and reduce the amount of waste generated and the amount of environmental emissions. At present, there are few researches on the life cycle of exhibition design, and it is not enough to study the life cycle of exhibition design from the aspect of materialization. Exhibition activity is a highly participatory design. In addition to the materialized life cycle of its activities, participants also have a life cycle in the process of viewing and communicating, and display activities also have their life cycle. Based on the life cycle, this paper studies the whole period of energy transmission of exhibition design information. On the one hand, it optimizes the life cycle analysis of the raw materials and display forms of exhibition design from the material category; on the other hand, it studies the life cycle of exhibition design itself from the perspective of exhibition design. This paper studies the life cycle of the protagonist audience in the process of experience and the life cycle of emotion, psychology and cognition after experience. This paper studies exhibition design from the perspective of life cycle and regards it as an organic whole. According to the composition of its system, it arranges and optimizes the elements to form three aspects: material flow, energy flow and information flow. This paper discusses the value of the whole life cycle of exhibition design. Firstly, it analyzes the current situation and characteristics of material carrier in the concept of material flow, the expression of material energy and spiritual energy in the concept of energy flow, and the process of transforming matter energy into spiritual energy. The characteristics of information transmission in the concept of information flow and the way in which the senses receive information, the theoretical framework of the research on the life cycle of exhibition design is constructed through the cooperative relationship among material flow, energy flow and information flow. And the design method of three parts. From the perspective of sustainable development, this paper studies and discusses the whole life cycle of exhibition design.
【學(xué)位授予單位】：西安美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J535.2

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本文編號：2008932