山水之變─—論先秦至唐代自然美觀念的嬗變
發(fā)布時間：2019-06-13 19:15
【摘要】：本文試圖勾勒出先秦至唐代山水自然美觀念變化的歷史流程與美學指向，并在此背景上澄清山水文學形成發(fā)展過程中的一些重要理論問題。作者認為，中國藝術中對自然的認識，從先秦歷晉宋再到唐代，經過了正、反、合三個階段。作者側重運用縱向比較的方法，指出從晉宋到唐代山水自然美觀念的變化，，主要表現(xiàn)為：由滿足自然景物的外在形式，到探究山水的內在意蘊與意趣；由物我并峙．轉變?yōu)槲镂医蝗�，情景合一；就美感認識層次而言，由屬耳流目，極視聽之娛，上升為怡神悅志，通過禮贊自然，獲得對宇宙人生的審美頓悟。
[Abstract]:This paper attempts to outline the historical process and aesthetic direction of the change of the concept of natural beauty of mountains and rivers from the pre-Qin Dynasty to the Tang Dynasty, and to clarify some important theoretical issues in the process of the formation and development of landscape literature. The author believes that the understanding of nature in Chinese art, from the pre-Qin Jin and Song dynasties to the Tang Dynasty, has gone through three stages: positive, negative and integrated. By using the method of vertical comparison, the author points out that the changes of the concept of natural beauty of mountains and rivers from Jin and Song dynasties to Tang Dynasty are mainly manifested in the following aspects: from satisfying the external form of natural scenery to exploring the internal meaning and interest of mountains and rivers, from the combination of things and self to the blending of things and self, and the unity of situations. As far as the level of aesthetic cognition is concerned, the aesthetic insight into the aesthetic enlightenment of the universe life can be obtained from the ear to the eye and the extreme audio-visual entertainment to the pleasing spirit of the god and the spirit, and through the praise of nature.
【分類號】：B83
本文編號：2498752
[Abstract]:This paper attempts to outline the historical process and aesthetic direction of the change of the concept of natural beauty of mountains and rivers from the pre-Qin Dynasty to the Tang Dynasty, and to clarify some important theoretical issues in the process of the formation and development of landscape literature. The author believes that the understanding of nature in Chinese art, from the pre-Qin Jin and Song dynasties to the Tang Dynasty, has gone through three stages: positive, negative and integrated. By using the method of vertical comparison, the author points out that the changes of the concept of natural beauty of mountains and rivers from Jin and Song dynasties to Tang Dynasty are mainly manifested in the following aspects: from satisfying the external form of natural scenery to exploring the internal meaning and interest of mountains and rivers, from the combination of things and self to the blending of things and self, and the unity of situations. As far as the level of aesthetic cognition is concerned, the aesthetic insight into the aesthetic enlightenment of the universe life can be obtained from the ear to the eye and the extreme audio-visual entertainment to the pleasing spirit of the god and the spirit, and through the praise of nature.
【分類號】：B83
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