萊辛論丑的意義
發(fā)布時間：2019-05-28 17:49
【摘要】：萊辛論丑有以下三重意義。從時代的啟蒙意義看,對"丑角"在悲喜劇中的作用和意義的宣揚(yáng),回應(yīng)著啟蒙時代的民族召喚和文藝使命,可謂以藝術(shù)的手段宣揚(yáng)自由、平等、民主的政治理想,提高一般市民地位與人權(quán)的一種努力與嘗試。從美學(xué)意義看,《拉奧孔》首次打破"丑"的禁令,給"丑"在詩歌藝術(shù)中的出現(xiàn)留下了寶貴的空間;《漢堡劇評》中的"丑角"論賦予一般市民在戲劇中的出現(xiàn)以合法的身份,拓寬了戲劇形象塑造的領(lǐng)域。從方法論意義看,無論是論"丑感",還是論"丑角",都以具體的現(xiàn)象或事例作為論說的材料支撐。與以往德國美學(xué)論著注重系統(tǒng)性、邏輯性相比,它既不乏嚴(yán)密的學(xué)理論證,又處處充滿著現(xiàn)實(shí)氣息和人文關(guān)懷,為創(chuàng)造性的批判式寫作注入了新的生命活力。
[Abstract]:Lessing's theory of ugliness has the following three meanings. From the enlightenment significance of the times, the propaganda of the role and significance of the clown in the tragic comedy responds to the national call and literary mission of the enlightenment era, and can be described as promoting the political ideals of freedom, equality and democracy by means of art. An effort and attempt to improve the status of the general public and human rights. From the aesthetic point of view, Laokon broke the ban of "ugliness" for the first time, leaving a valuable space for the emergence of "ugliness" in poetry art. The theory of clown in Hamburg Drama Review gives ordinary citizens a legal identity in drama and broadens the field of drama image shaping. In terms of methodological significance, both "ugly feeling" and "clown" are supported by concrete phenomena or examples. Compared with the previous German aesthetic works, which pay attention to systematicness and logic, it is not only full of strict theoretical argumentation, but also full of realistic breath and humanistic care everywhere, which injects new life vitality into creative critical writing.
【作者單位】： 北京大學(xué)哲學(xué)系;
【分類號】：B83-09
[Abstract]:Lessing's theory of ugliness has the following three meanings. From the enlightenment significance of the times, the propaganda of the role and significance of the clown in the tragic comedy responds to the national call and literary mission of the enlightenment era, and can be described as promoting the political ideals of freedom, equality and democracy by means of art. An effort and attempt to improve the status of the general public and human rights. From the aesthetic point of view, Laokon broke the ban of "ugliness" for the first time, leaving a valuable space for the emergence of "ugliness" in poetry art. The theory of clown in Hamburg Drama Review gives ordinary citizens a legal identity in drama and broadens the field of drama image shaping. In terms of methodological significance, both "ugly feeling" and "clown" are supported by concrete phenomena or examples. Compared with the previous German aesthetic works, which pay attention to systematicness and logic, it is not only full of strict theoretical argumentation, but also full of realistic breath and humanistic care everywhere, which injects new life vitality into creative critical writing.
【作者單位】： 北京大學(xué)哲學(xué)系;
【分類號】：B83-09
【共引文獻(xiàn)】
相關(guān)期刊論文 前10條
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7 張曉s，
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