【摘要】："人及其超越性"是由一個(gè)時(shí)代的總體"精神狀況"決定的。雅斯貝爾斯從"無所不有"而又"一無所有"的人類精神處境出發(fā),對(duì)"限界狀況"、"挫折"、"悲劇的知"、"藝術(shù)家的類型"等展開了獨(dú)到的分析。他綜合運(yùn)用精神分析美學(xué)、現(xiàn)象學(xué)美學(xué)、存在主義美學(xué)的知識(shí)資源,對(duì)人性中理性和非理性的關(guān)系進(jìn)行了重新認(rèn)識(shí),對(duì)人類的"限界狀況"進(jìn)行了重新考察,從而認(rèn)識(shí)到"悲劇"是對(duì)"限界狀況"的超越,生存是藝術(shù)的"根源性"存在,"悲劇"才是"超越性",才是"真理"。
[Abstract]:"Man and its transcendence" is determined by the overall mental state of an era. Starting from the human spiritual situation of "everything" and "nothing", Jaspers makes a unique analysis of the "boundary limit", "frustration", "the knowledge of tragedy", "the type of artist" and so on. He comprehensively used the knowledge resources of psychoanalytic aesthetics, phenomenological aesthetics and existentialism aesthetics to re-understand the relationship between rationality and irrationality in human nature, and re-examined the "boundary-limiting condition" of human beings. Therefore, it is realized that "tragedy" is the transcendence of "limit condition", existence is the "root" existence of art, "tragedy" is "transcendence", and "truth" is only "tragedy".
【作者單位】： 吉林大學(xué)法學(xué)院
【分類號(hào)】：B83-06
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本文編號(hào)：2462906