【摘要】：正黑格爾的戲劇美學(xué)思想植根于西方戲劇美學(xué)傳統(tǒng)之中,是對(duì)古希臘、羅馬時(shí)期至德國(guó)古典時(shí)期戲劇美學(xué)思想的批判、繼承、發(fā)展與創(chuàng)新,并結(jié)合其本人豐富的藝術(shù)欣賞實(shí)踐與嚴(yán)密辯證的哲學(xué)修養(yǎng),形成了一個(gè)全面、深刻、總結(jié)性的思想體系。這一體系內(nèi)容豐富,涉及創(chuàng)作理論、表現(xiàn)方式、創(chuàng)作者等劇本創(chuàng)作理論,也涉
[Abstract]:Hegel's aesthetic thought of drama is rooted in the tradition of western dramatic aesthetics. It is the criticism, inheritance, development and innovation of the aesthetic thought of drama from ancient Greece and Rome to the classical period of Germany. Combined with his rich artistic appreciation practice and strict dialectical philosophical accomplishment, a comprehensive, profound and summative ideological system has been formed. This system is rich in content, involving the theory of creation, the way of expression, the theory of script creation, etc., as well as the theory of script creation.
【作者單位】： 上海戲劇學(xué)院;
【分類號(hào)】：B83-09;J801
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本文編號(hào)：2456233