【摘要】：正中國當代美學經(jīng)歷了數(shù)度理論形態(tài)的轉(zhuǎn)換,從偏于類主體的實踐論美學,到偏于個體主體的生命美學,以及偏于世界的環(huán)境美學、景觀美學等,無不合和著時代的步伐與文明的節(jié)奏。成熟的理論形態(tài)的出現(xiàn),標志著一個學科獨立發(fā)展的可能性;有代表性的學者,則是一個學科發(fā)展的關(guān)鍵尺度與重要標識。袁鼎生教授在當代生態(tài)美學界,正是這樣一位有代表性的學者,其超循環(huán)的美學研究路徑,潛含著中國整體美學及生態(tài)美學學科的生命規(guī)程。
[Abstract]:Contemporary Chinese aesthetics has experienced several theoretical changes, from practical aesthetics to life aesthetics, environmental aesthetics, landscape aesthetics, etc., which are biased to the subject of practice, to the life aesthetics of the individual subject, and to the environmental aesthetics and landscape aesthetics of the world. With the pace of the times and the pace of civilization. The appearance of mature theoretical form marks the possibility of an independent development of a discipline, and a representative scholar is a key criterion and an important symbol of the development of a discipline. Professor Yuan Dingsheng is such a representative scholar in the field of contemporary ecological aesthetics whose super-circular aesthetic research path contains the life rules of Chinese whole aesthetics and ecological aesthetics.
【作者單位】： 廣西民族大學文學院;
【分類號】：B83-0

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