中國古典文論中的傳播思想
發(fā)布時間：2018-08-12 12:56
【摘要】：有了人類便有了成了比較明確的理論認識。傳播。雖然傳播學是近幾十年才興起的學科,中國的古典文論卻對前起新石器晚期,晚至清末我國的傳播現(xiàn)象、傳播模式、傳播思想有所記載和描述。文字出現(xiàn)以前,人類以聲音和擬勢語言表情達意,交流思想。有了文字,人類便開始講究傳播方式,形成了我國古代兩種水平和垂直傳播構成的、而以上層水平傳播和自上而下的垂直傳播為主的“工”字形傳播網絡。從儒家、諸子百家的早期描摹主義,到韓愈、蘇軾的重視主體,到馮夢龍、金圣嘆的受眾意識,中國古典文論在客體、主體、受眾這個帶有根本性的問題上,就已經形
[Abstract]:The existence of human beings has become a relatively clear theoretical understanding. Dissemination. Although communication is a subject that has arisen in recent decades, Chinese classical literary theory has recorded and described the phenomenon, mode and thought of communication in China from the late Neolithic period to the late Qing Dynasty. Before the appearance of words, people expressed themselves and exchanged ideas with sound and pseudo-language. With the characters, people began to pay attention to the mode of communication, forming the ancient China's two horizontal and vertical communication, and the horizontal and top-down vertical propagation of the "I" type of communication network. From the early depictionism of Confucianism to Han Yu and Su Shi, to the audience consciousness of Feng Menglong and Jin Shengtan, the classical Chinese literary theory has already taken shape on the fundamental issue of object, subject and audience.
【作者單位】：
本文編號：2179119
[Abstract]:The existence of human beings has become a relatively clear theoretical understanding. Dissemination. Although communication is a subject that has arisen in recent decades, Chinese classical literary theory has recorded and described the phenomenon, mode and thought of communication in China from the late Neolithic period to the late Qing Dynasty. Before the appearance of words, people expressed themselves and exchanged ideas with sound and pseudo-language. With the characters, people began to pay attention to the mode of communication, forming the ancient China's two horizontal and vertical communication, and the horizontal and top-down vertical propagation of the "I" type of communication network. From the early depictionism of Confucianism to Han Yu and Su Shi, to the audience consciousness of Feng Menglong and Jin Shengtan, the classical Chinese literary theory has already taken shape on the fundamental issue of object, subject and audience.
【作者單位】：
【相似文獻】
相關重要報紙文章 前2條
1 外國文學所 史忠義;“言外之意、象外之象”與“內涵義”[N];中國社會科學院院報;2003年
2 金雅;梁啟超與中國美學的現(xiàn)代轉型[N];文藝報;2004年
，本文編號：2179119
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