【摘要】：人類(lèi)的生態(tài)審美觀是隨著人類(lèi)自身對(duì)人與自然關(guān)系認(rèn)識(shí)程度的提高而不斷改變的。在史前時(shí)代,人類(lèi)被動(dòng)地與自然保持一種和諧關(guān)系,其生態(tài)審美觀是朦朧的;在農(nóng)耕文明時(shí)代,人類(lèi)對(duì)自然是一種有限的利用、改造并破壞的關(guān)系,其生態(tài)審美觀是樸素的;在工業(yè)文明時(shí)代,人類(lèi)對(duì)自然是一種無(wú)以復(fù)加的利用、改造并破壞的關(guān)系,其生態(tài)審美觀呈現(xiàn)出無(wú)視生態(tài)的絕對(duì)理念傾向;在現(xiàn)代文明時(shí)代,人類(lèi)與自然是和諧共生的關(guān)系,其生態(tài)審美觀符合生態(tài)整體發(fā)展的要求,具有現(xiàn)代性特征。
[Abstract]:Human ecological aesthetics is constantly changing with the improvement of human understanding of the relationship between man and nature. In prehistoric times, mankind passively maintained a harmonious relationship with nature, and its ecological aesthetics was hazy, while in the age of farming civilization, human beings had a limited relationship of utilization, transformation and destruction of nature, and its ecological aesthetics was simple. In the age of industrial civilization, the relationship between human beings' use, transformation and destruction of nature is inexhaustible, and its ecological aesthetics shows an absolute tendency of ignoring ecology; in the modern civilization era, the relationship between human beings and nature is harmonious and symbiotic. Its ecological aesthetics meets the requirements of the overall development of ecology and has the characteristics of modernity.
【作者單位】： 中共山西省委黨校;
【分類(lèi)號(hào)】：B83-05

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