發(fā)布時(shí)間：2018-06-23 17:02

  本文選題：美的根源 + 主體的適性　； 參考：《社會(huì)科學(xué)》2016年02期

【摘要】：美是有價(jià)值的樂感對(duì)象。美的原因最終必須到樂感里去尋找。使客觀事物成為"樂感對(duì)象"或"美"的根源是"適性"。對(duì)象適性為美,分主體的適性與客體的適性。主體的適性之美指對(duì)象因適合主體之性而被主體感受為美,包括客體適合主體物種本性、習(xí)俗個(gè)性或功用目的,客體與主體同構(gòu)共感,人化自然走向物我合一,主客體雙向交流達(dá)到心物冥合等諸種表現(xiàn)形態(tài)�？腕w的適性之美指客觀對(duì)象適合自身的物種本性而被主體視為美。它只為洞悉人與萬物相互依賴、相反相成關(guān)系的人類而存在。承認(rèn)客體的適性之美,要求破除人類中心主義審美傳統(tǒng),走向物物有美、美美與共的生態(tài)美學(xué),同時(shí)讓主張物種天性自然伸張的自然美學(xué)、生命美學(xué)匯入生態(tài)美學(xué)大潮。
[Abstract]:Beauty is a valuable object of music. The cause of beauty must ultimately be found in the sense of music. The root of making objective things "objects of music" or "beauty" is suitability. The adaptability of objects is beauty, which is divided into the suitability of the subject and the suitability of the object. The beauty of the suitability of the subject refers to the beauty of the object being felt by the subject because it is suitable for the subject, including the object suitable for the nature of the subject species, the custom personality or the purpose of function, the synaesthesia between the object and the subject, and the humanization of nature towards the unity of things. The two-way communication between the subject and the object has reached various forms of expression, such as the combination of the mind and the object. The beauty of the suitability of the object refers to the fact that the objective object suits its own species nature and is regarded as the beauty by the subject. It exists only for the understanding that man and all things depend on each other, opposite and complementary to each other. To recognize the beauty of the suitability of the object requires breaking down the aesthetic tradition of anthropocentrism, moving towards the ecological aesthetics in which things are beautiful and beauty is in common, and at the same time allowing the natural aesthetics which advocates the nature of species to expand naturally, and the aesthetics of life to merge into the tide of ecological aesthetics.
【作者單位】： 上海政法學(xué)院研究院;北京師范大學(xué)文藝學(xué)研究中心;
【基金】：國(guó)家社科基金后期資助項(xiàng)目“樂感美學(xué)”(項(xiàng)目編號(hào):14FZW004)的階段性成果
【分類號(hào)】：B83-0
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本文編號(hào)：2057787