本文選題：天鉞 + 璧-琮-圭��； 參考：《云南大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版)》2017年05期

【摘要】：曾在遠(yuǎn)古意識(shí)形態(tài)中心體現(xiàn)威怒的天鉞,在從西周到先秦的理性演進(jìn)中,有了三個(gè)方面的演進(jìn),一方面演化為璧-琮-圭,成為天子的象征符號(hào)。另方面演化為方相氏,是宮廷和民間的驅(qū)鬼之儺。再方面演進(jìn)為舞樂中的萬舞-禹步-夔樂。天鉞在消失的過程中,散滲進(jìn)了文化的諸多方面,構(gòu)成了中國(guó)文化的諸種特色。
[Abstract]:In the rational evolution from the Western Zhou Dynasty to the Pre-Qin Dynasty, the heavenly Yue, which was embodied in the ancient ideological center, has evolved in three aspects: on the one hand, it has evolved into a Cong-Gui, a symbol of the son of Heaven. The other side evolved into Fang Xiangshi, the exorcism of the court and the folk. And then evolved into dance music in the ten-thousand dance-Yu-Kui music. In the process of the disappearance of the Tomahawk, it infiltrated many aspects of culture and formed the characteristics of Chinese culture.
【作者單位】： 浙江師范大學(xué);
【分類號(hào)】：B83-092;K87

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