本文選題：大眾文化 + 審美疲勞��； 參考：《廣西師范大學(xué)》2014年碩士論文

【摘要】：大眾文化階段,文化范式出現(xiàn)了大規(guī)模調(diào)整：主流文化遭到排擠,經(jīng)典文化開始失寵,文化的等級秩序遭到瓦解。在此影響下,傳統(tǒng)的審美活動(dòng)受到了巨大的沖擊,審美主客體擴(kuò)大,審美活動(dòng)也超出了純文學(xué)藝術(shù)的范圍,呈現(xiàn)出生活化、世俗化的特征。當(dāng)今社會(huì)正經(jīng)歷著一個(gè)鋪天蓋地的審美化過程,審美滲透于大眾日常生活的方方面面,審美符號的大肆鋪張使得審美疲勞現(xiàn)象日益突出。針對大眾的審美現(xiàn)狀,在審美泛化的語境下對審美疲勞進(jìn)行研究也就具有了一定的現(xiàn)實(shí)意義。有別于傳統(tǒng)的美學(xué)術(shù)語,大眾文化視野中審美疲勞的內(nèi)容、特征、表現(xiàn)等在不斷地豐富拓展,并將繼續(xù)呈現(xiàn)出動(dòng)態(tài)的發(fā)展過程。鑒于此,文章從大眾文化視野中的審美疲勞現(xiàn)象出發(fā),結(jié)合時(shí)代背景,從語詞涵義、美學(xué)范疇和時(shí)髦語三個(gè)角度來闡釋審美疲勞的內(nèi)涵。對比大眾審美與傳統(tǒng)審美,通過對比分析,概括出大眾審美活動(dòng)的主要特點(diǎn)。對審美疲勞所處的大眾文化背景進(jìn)行分析,通過研究歸納,對審美疲勞的本質(zhì)特征進(jìn)行概括總結(jié)。分析審美疲勞產(chǎn)生的主客觀原因,揭示其形成的內(nèi)部機(jī)制。反思審美疲勞現(xiàn)象,發(fā)掘其特色,采用一個(gè)全新的理論視角來重新審視大眾文化,尋找啟示。探討正確對待審美疲勞的途徑,立足長遠(yuǎn),對中國文化的未來發(fā)展給出借鑒和指導(dǎo),使論文具有一定的理論現(xiàn)實(shí)意義,從而推動(dòng)審美文化,豐富大眾的文化生活,讓審美在大眾文化背景下繼續(xù)朝著健康、持續(xù)的方向發(fā)展。
[Abstract]:In the stage of mass culture, the cultural paradigm was adjusted on a large scale: the mainstream culture was excluded, the classical culture began to fall out of favor, and the hierarchical order of culture was disintegrated. Under this influence, the traditional aesthetic activities are greatly impacted, the aesthetic subject and object are expanded, and the aesthetic activities are beyond the scope of pure literature and art, showing the characteristics of life and secularization. Nowadays, the society is experiencing an extensive process of aesthetic appreciation, aesthetic permeation into all aspects of the daily life of the public, aesthetic symbols make the phenomenon of aesthetic fatigue increasingly prominent. In the light of the aesthetic situation of the masses, it is of practical significance to study aesthetic fatigue in the context of aesthetic generalization. Different from the traditional aesthetic terms, the contents, characteristics and expressions of aesthetic fatigue in the view of popular culture are constantly enriched and expanded, and will continue to present a dynamic process of development. In view of this, the article starts from the phenomenon of aesthetic fatigue in the view of popular culture and combines with the background of the times to explain the connotation of aesthetic fatigue from three angles: the meaning of words, the category of aesthetics and the fashionable words. By contrasting the popular aesthetics with the traditional aesthetics, the main characteristics of the mass aesthetic activities are summarized. This paper analyzes the mass culture background of aesthetic fatigue and summarizes the essential characteristics of aesthetic fatigue. This paper analyzes the subjective and objective causes of aesthetic fatigue and reveals the internal mechanism of its formation. Reflect on the phenomenon of aesthetic fatigue, explore its characteristics, using a new theoretical perspective to re-examine popular culture, looking for inspiration. This paper discusses the ways to deal with aesthetic fatigue correctly, bases on the long run, and gives reference and guidance to the future development of Chinese culture, so that the thesis has certain theoretical and practical significance, thus promoting aesthetic culture and enriching the cultural life of the masses. Let the aesthetic in the context of popular culture continue to develop in the direction of health and sustainability.
【學(xué)位授予單位】：廣西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：B83

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