本文關(guān)鍵詞：東方電影美學(xué)視角下王家衛(wèi)與巖井俊二影像風(fēng)格比較，由筆耕文化傳播整理發(fā)布。

網(wǎng)友2024678321近日為您收集整理了關(guān)于東方電影美學(xué)視角下王家衛(wèi)與巖井俊二影像風(fēng)格比較的文檔，，希望對您的工作和學(xué)習(xí)有所幫助。以下是文檔介紹：risticsofOrientalaesthetics,itisconcludedthatitisnecessarVtobuildthetheoryoforiental61maesthetics.MeanⅥ,hile,byexploringtherelationshipbetweenChineseandJapanesefilms,itissaf色toarriVeattheconclusionthatoriental6lmaestheticsandthe61msofWongKar—Wai’sandShunji1wai’sarerelatedtoeachother.ThethirdpartincludeschaptersIIIandIV,whichismadeupofananalysisofthenlmtext.parativestudyofspeci6cmoVieofWongKar一一WaiandJapan’sShunji1wai,theirspeci6crenectiononoriental矗1maestheticsispresented·The矗fChchapterbelongstoPartIVwhichisabouttheValueandsignificanceofthispaper.Throughthespecificstudyoftheir矗lms,theinspirationforthedeVelopmelltChina·snational61misdrawn.Thishasmuchtodowiththenationalizationand910balizationofnationalmovies,binationofpersonalizationandnationalsplrlt·ContemporarystudiestendtoexplaintheirtwojFilmsfromthean91eofwestern

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  本文關(guān)鍵詞：東方電影美學(xué)視角下王家衛(wèi)與巖井俊二影像風(fēng)格比較，由筆耕文化傳播整理發(fā)布。