本文選題：王國(guó)維 + 叔本華�。� 參考：《江海學(xué)刊》1998年04期

【摘要】：科學(xué)意義的中國(guó)美學(xué)是王國(guó)維在本世紀(jì)初中西文化交融的大潮中初建的，，他一方面大量接受德國(guó)古典美學(xué)的影響，一方面又從傳統(tǒng)思維出發(fā)對(duì)其作了改造與重構(gòu)。通過(guò)對(duì)王國(guó)維美學(xué)中自律的文藝觀、超越的審美觀和“古雅”的審美范疇三個(gè)層面的分析，可以清楚地發(fā)現(xiàn)，中西文化不同的現(xiàn)實(shí)取向和理論傳統(tǒng)產(chǎn)生的張力，既助成了王國(guó)維美學(xué)的思想成就，又導(dǎo)致了其中的悖謬和潛在危機(jī)。因此，王國(guó)維美學(xué)雖已自成體系，卻呈現(xiàn)出斷層的結(jié)構(gòu)。從這一形態(tài)入手，可以恰切地評(píng)價(jià)其在中國(guó)美學(xué)史上的建樹(shù)及地位
[Abstract]:Chinese aesthetics of scientific significance was first built by Wang Guowei in the tide of blending Chinese and western cultures at the beginning of this century. On the one hand, he accepted the influence of German classical aesthetics in large quantities, on the other hand, he reformed and reconstructed it from the perspective of traditional thinking. Through the analysis of the self-discipline view of literature and art in Wang Guowei aesthetics, the transcendent aesthetics and the aesthetic category of "quaint", we can clearly find that the different realistic orientation of Chinese and Western culture and the tension of theoretical tradition. It not only contributes to the ideological achievement of Wang Guowei aesthetics, but also leads to the paradox and potential crisis. Therefore, although Wang Guowei aesthetics has its own system, it presents the structure of fault. From this form, we can evaluate its achievements and status in the history of Chinese aesthetics.
【作者單位】： 華東師范大學(xué)中文系
【分類號(hào)】：B83-09

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1 任君慶;心靈契合:王國(guó)維之受叔本華影響簡(jiǎn)析[J];寧波職業(yè)技術(shù)學(xué)院學(xué)報(bào);2001年02期

2 尹婷婷;;王國(guó)維美學(xué)思想的嬗變[J];今日南國(guó)(中旬刊);2010年04期

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