本文選題：中國(guó)美學(xué)史 + 古代天下觀　； 參考：《鄭州大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版)》2010年05期

【摘要】：新時(shí)期以來(lái),美學(xué)理論的推進(jìn)與美學(xué)史的重建始終是這一學(xué)科的兩大核心任務(wù)。理論的進(jìn)步總是激活傳統(tǒng),使其展示出新的樣貌和面孔;史的反思則為理論的進(jìn)展提供支撐和佐證。但是,就30年來(lái)美學(xué)史研究的實(shí)踐看,這種理論與歷史之間的互動(dòng)關(guān)系是存在嚴(yán)重問(wèn)題的,它在很大程度上是以特選的中國(guó)歷史資料來(lái)論證西方美學(xué)理論的普適性,所謂的中國(guó)美學(xué)史則成了西方美學(xué)"在中國(guó)"的歷史。這組筆談,試圖暫時(shí)擱置美學(xué)理論與歷史的互動(dòng)關(guān)系,讓中國(guó)美學(xué)史重新回到它獨(dú)特的歷史本身,以使其本土性得到充分凸顯。像傳統(tǒng)的天下觀與中國(guó)美學(xué)史的整體格局問(wèn)題,農(nóng)耕生產(chǎn)方式對(duì)于中國(guó)美學(xué)的奠基問(wèn)題,審美意識(shí)在中國(guó)美學(xué)史寫(xiě)作中的發(fā)展和流變問(wèn)題,都是還原歷史實(shí)相的新嘗試。同時(shí),也為重構(gòu)一種更切近中國(guó)美學(xué)實(shí)相的美學(xué)史提供了新的可能性。
[Abstract]:Since the new era, the promotion of aesthetic theory and the reconstruction of aesthetic history have always been the two core tasks of this discipline. The progress of theory always activates tradition and makes it show new appearance and face, while the reflection of history provides support and evidence for the progress of theory. However, from the practice of the study of the history of aesthetics in the past 30 years, there are serious problems in the interaction between this theory and history. To a large extent, it demonstrates the universality of western aesthetic theories with specially selected Chinese historical materials. The so-called history of Chinese aesthetics has become the history of western aesthetics in China. This essay tries to put aside the interactive relationship between aesthetic theory and history, so as to make the history of Chinese aesthetics return to its unique history itself, so as to fully highlight its nativeness. Such as the traditional view of the world and the overall pattern of Chinese aesthetic history, the foundation of agricultural production mode for Chinese aesthetics, the development and evolution of aesthetic consciousness in the writing of Chinese aesthetic history, are all new attempts to restore the historical reality. At the same time, it also provides a new possibility for reconstructing an aesthetic history which is closer to the reality of Chinese aesthetics.
【作者單位】： 華東師范大學(xué)中文系;
【分類號(hào)】：B83-092

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本文編號(hào)：1891276