本文選題：集體無意識(shí) + 原始意象�。� 參考：《西北師大學(xué)報(bào)(社會(huì)科學(xué)版)》1996年02期

【摘要】：Ｃ·Ｇ·榮格作為西方精神分析學(xué)說的著名大師之一，他的美學(xué)思想是與其分析心理學(xué)體系相聯(lián)系的．他以貫穿自己整個(gè)學(xué)說體系的＂集體無意識(shí)＂概念，作為他美學(xué)理論的邏輯起點(diǎn)，提出集體無意識(shí)及其原型，，是人類藝術(shù)靈感的發(fā)祥地．在榮格看來，由于集體無意識(shí)是從原型和原始意象中推導(dǎo)出來的，因此以原型為核心形成的＂自主情結(jié)＂便成為聯(lián)結(jié)集體無意識(shí)與意識(shí)之間的浮橋和最活躍、最直接的創(chuàng)作動(dòng)力．正是從動(dòng)力角度，榮格不僅區(qū)分了藝術(shù)作品與藝術(shù)創(chuàng)作方法，而且把西方美學(xué)史上的＂抽象＂與＂移情＂看作是無意識(shí)支配下的兩種審美態(tài)度進(jìn)行了全面研究，從而大大拓寬了藝術(shù)思維的空間和藝術(shù)批評(píng)的視野．
[Abstract]:As one of the famous masters of western psychoanalysis, C. G. Jung's aesthetic thought is related to his analytical psychology system. He takes the concept of "collective unconsciousness", which runs through his whole theory system, as the logical starting point of his aesthetic theory, and puts forward the collective unconscious and its prototype, which is the birthplace of human artistic inspiration. In Jung's view, since the collective unconscious is derived from the archetypes and the primitive images, the "autonomous complex" formed by the archetypal core becomes the floating bridge and the most active link between the collective unconscious and the consciousness. The most direct creative motivation. It is from the angle of motive power that Jung not only distinguishes the artistic works from the artistic creation methods, but also makes a comprehensive study of the "abstraction" and "empathy" in the history of western aesthetics as two aesthetic attitudes controlled by the unconscious. This greatly broadens the space of artistic thinking and the visual field of art criticism.
【分類號(hào)】：B83-06

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