本文選題：美之本體 + 信仰�。� 參考：《中國社會科學(xué)院研究生院學(xué)報》2017年01期

【摘要】：美之本體是美學(xué)的核心問題,它規(guī)定著美學(xué)的邊界并制約著美學(xué)學(xué)科之合法性。美意味著絕對自由的感性顯現(xiàn),美作為存在方式具有突出的信仰特征。美學(xué)起源于人類對絕對自由之自覺,絕對自由作為存在方式以終極實在為依據(jù)。以自我與自我意識為表征的對象性存在乃是對以終極實在為基礎(chǔ)的本真存在(絕對自由)的背叛,審美活動的本質(zhì)其實就是消解自我和自我意識,并實現(xiàn)對以真我為表征的絕待性存在的超越或者還原。以美學(xué)的發(fā)生學(xué)追問為基礎(chǔ),對中西美學(xué)兩種范式進行結(jié)構(gòu)性比較,能夠闡明純粹美學(xué)的基本主張以及美作為信仰之合法性。
[Abstract]:The Noumenon of Beauty is the core issue of aesthetics, which defines the boundary of aesthetics and restricts the legitimacy of aesthetic disciplines. Beauty means the perceptual manifestation of absolute freedom. Aesthetics originates from man's consciousness of absolute freedom, which is based on the ultimate reality as the way of existence. The object existence, which is characterized by self and self consciousness, is a betrayal of the true being (absolute freedom) based on the ultimate reality. The essence of aesthetic activity is to dispel self and self consciousness. And achieve the transcendence or reduction of the absolute existence represented by the true self. Based on the generative inquiry of aesthetics, this paper makes a structural comparison of the two paradigms of aesthetics between China and the West, which can clarify the basic proposition of pure aesthetics and the legitimacy of beauty as belief.
【作者單位】： 北京師范大學(xué)哲學(xué)學(xué)院美學(xué)研究所;
【分類號】：B83-0
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本文編號：1869435