發(fā)布時(shí)間：2018-04-21 02:24

  本文選題：人生美學(xué) + 天才��； 參考：《社會(huì)科學(xué)輯刊》2011年01期

【摘要】：人在經(jīng)驗(yàn)性日常生活中對(duì)理想人生的永恒追求,形成了人生中當(dāng)下與永恒、經(jīng)驗(yàn)與超驗(yàn)的張力結(jié)構(gòu);對(duì)人生活動(dòng)中經(jīng)驗(yàn)與超驗(yàn)的對(duì)立與統(tǒng)一這一辯證關(guān)系,人生美學(xué)應(yīng)當(dāng)從"天才美學(xué)"的角度進(jìn)行把握。藝術(shù)天才通過(guò)理性直覺實(shí)現(xiàn)了對(duì)日常生活中經(jīng)驗(yàn)與超驗(yàn)的二元對(duì)立的審美揚(yáng)棄,而這一審美揚(yáng)棄的本質(zhì)仍舊是理想性的,這決定了人生苦難與審美拯救之間特殊的本質(zhì)關(guān)聯(lián):審美拯救既是人生苦難的結(jié)果,又是對(duì)它的超越的。
[Abstract]:The eternal pursuit of ideal life in human's experiential daily life forms the tension structure of present and eternal, experience and transcendence in life, the dialectical relation between experience and transcendence in life, and the dialectical relation between experience and transcendence. The aesthetics of life should be grasped from the angle of "genius aesthetics". Through rational intuition, artistic genius realizes the aesthetic sublation of the binary opposition of experience and transcendence in daily life, and the essence of this aesthetic sublation is still ideal. This determines the special essential connection between human suffering and aesthetic salvation: aesthetic salvation is not only the result of human suffering, but also the transcendence of it.
【作者單位】： 浙江工業(yè)大學(xué)人文學(xué)院;
【分類號(hào)】：B83-092

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

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本文編號(hào)：1780527