本文選題：天人合一 + 感物　； 參考：《社會科學(xué)輯刊》2017年06期

【摘要】：感物是中國古典美學(xué)的一個極其重要的范疇,它的產(chǎn)生是天人合一的化育,它的理論的生長也應(yīng)歸因于天人合一的涵養(yǎng)。感應(yīng)是天人合一的核心意涵。天人合一觀念中的天地萬物一氣貫通、相互感應(yīng)的理論,成為感物美學(xué)的理論基石。感物興情是物在先,情在后,物引發(fā)了情的發(fā)生。托物寓情是情在先,物在后,情尋物去寄托。它們都離不開天人合一這一哲學(xué)基礎(chǔ)。離開古老的天人合一,我們無法認(rèn)識感物美學(xué)的實(shí)質(zhì)。
[Abstract]:Sensibility is an extremely important category in Chinese classical aesthetics. Its production is the combination of nature and man, and the growth of its theory should also be attributed to the conserving of the unity of nature and man.Induction is the core meaning of the unity of man and nature.The theory of "heaven and earth" in the concept of unity of nature and man has become the theoretical foundation of sense-matter aesthetics.Feeling and feeling is the first thing in the first, after the feelings, things triggered the occurrence of feelings.The emotion is the first thing, the thing is after, the feeling seeks the thing to place the sustenance.They are inseparable from the philosophical basis of the unity of man and nature.Without the ancient unity of man and nature, we cannot understand the essence of sensual aesthetics.
【作者單位】： 深圳大學(xué)美學(xué)與文藝批評研究院;
【基金】：國家社會科學(xué)基金項(xiàng)目(14BZW034)
【分類號】：B83-092

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