本文選題：實(shí)踐美學(xué) + 美學(xué)論　； 參考：《理論探索》2012年04期

【摘要】：李澤厚的實(shí)踐美學(xué)觀點(diǎn)主要體現(xiàn)在《美學(xué)四講》中,其中的美學(xué)論、美論、美感論、藝術(shù)論皆體現(xiàn)了作者對(duì)于實(shí)踐美學(xué)的獨(dú)特理解。李澤厚認(rèn)為,應(yīng)該從人類學(xué)本體論的角度來對(duì)待和研究美與藝術(shù);美來自實(shí)踐,或曰自然的人化,真與善的統(tǒng)一即是美;美感即是建立新感性的問題,審美過程可分成準(zhǔn)備階段、實(shí)現(xiàn)階段和成果階段;藝術(shù)品是一種符號(hào)系統(tǒng),是對(duì)人類心理情感的建構(gòu)和確認(rèn)。不過,李澤厚的實(shí)踐美學(xué)同時(shí)存在技術(shù)崇拜、過于注重理性而輕視感性等缺陷。
[Abstract]:Li Zehou's practical aesthetics is mainly embodied in the "aesthetics four", the aesthetic theory, aesthetic theory, aesthetic theory, art theory embodies the author's unique understanding of the practice aesthetics. Li Zehou thinks, should from the perspective of anthropology ontology and study of beauty and artistic beauty; from the practice, or nature person, one of the true and the good is beautiful; beauty is to establish new emotional problems, the aesthetic process can be divided into the preparation stage, implementation stage and production stage; art is a kind of symbol system, construction and confirmation of the human psychology. However, Li Zehou's practical aesthetics and technology worship, too much emphasis on rational instead of perceptual and other defects.

【作者單位】： 中國藝術(shù)研究院;
【基金】：國家社會(huì)科學(xué)基金后期資助項(xiàng)目“當(dāng)代中國美學(xué)研究”(11FZX008),負(fù)責(zé)人李修建
【分類號(hào)】：B83-0

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 李澤厚;娭美感、美和藝術(shù)(研究提}，

本文編號(hào)：1740643