本文選題：美在契合　切入點：審美主體　出處：《現代傳播(中國傳媒大學學報)》2016年05期

【摘要】："美在契合"是以"契合"作為立足點與突破口,從本源論的角度解析在具體審美活動中,美產生的機制及其狀態(tài),即美在于具體情境下審美主體與審美客體相碰撞時產生的愉悅。其邏輯起點在于美是審美主體與審美客體在某一具體的審美情境中,審美客體對審美主體的激發(fā)觸動,使人的本質力量得到確證時審美主體的狀態(tài)。"如其所存而顯之",審美客體在具體的審美情境中與審美主體相互碰撞出火花,即愉悅感,為美。在產生美的活動過程中,有三個必要因素,即審美客體、審美主體、具體情境,必然會獲得愉悅的審美效果。其中貫穿著對新興的影視藝術的討論,可以看出"美在契合"的實際應用價值。
[Abstract]:"Beauty in fit" is to take "fit" as the foothold and breakthrough point, and to analyze the mechanism and state of beauty in the specific aesthetic activities from the angle of source theory.Beauty lies in the pleasure produced when the aesthetic subject and the aesthetic object collide.Its logical starting point is that beauty is the state of the aesthetic subject when the aesthetic subject and the aesthetic object are stimulated by the aesthetic subject in a specific aesthetic situation and the essential strength of the human being is confirmed. "If it exists, "the aesthetic object collides with the aesthetic subject in the specific aesthetic situation, that is, the sense of pleasure is beautiful."In the process of producing beauty, there are three essential factors, that is, aesthetic object, aesthetic subject and concrete situation, which are bound to obtain pleasant aesthetic effect.Through the discussion of emerging film and television art, we can see the practical application value of beauty in fit.
【作者單位】： 中國傳媒大學;北京市美育與文明研究基地;中國傳媒大學文法學部;
【分類號】：B83-02
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本文編號：1724398