本文選題：青年文化　切入點：中國現(xiàn)代美學　出處：《河南社會科學》2017年09期

【摘要】：20世紀中國一個非常重要的社會文化現(xiàn)象就是青年文化的崛起。作為一個歷史概念,青年文化是西方近代啟蒙文化的產物,它在中國誕生的標志是五四新文化運動的發(fā)生。中國很多美學家都深受其影響。由于青年文化的思想浸潤,中國現(xiàn)代美學具有鮮明的特色:尚"力"、尚"新",重視美學與科學的內在關系。青年文化與中國當代美學的關系也頗深,中華人民共和國成立后前30年,受青年文化的影響,美學主要呈現(xiàn)出追求崇高風格、崇尚斗爭思想審美風貌;改革開放后20年,青年文化與啟蒙思想結盟,熱衷于建基于人性學基礎上的新的美學原則的建立;20世紀90年代中后期,青年文化開始與消費主義、大眾文化融合,形成了獨特的青年亞文化景觀。在研究青年主義對20世紀中國美學的影響時,應該予以理性客觀的分析與批評。
[Abstract]:A very important social and cultural phenomenon in China in the 20th century is the rise of youth culture. As a historical concept, youth culture is the product of western modern enlightenment culture. Its birth in China was marked by the emergence of the May 4th New Culture Movement. Many Chinese aestheticians were deeply influenced by it. Due to the ideological infiltration of youth culture, Chinese modern aesthetics has distinct characteristics: still "force", "new", attach importance to the inherent relationship between aesthetics and science. The relationship between youth culture and contemporary Chinese aesthetics is also very deep. 30 years after the founding of the people's Republic of China, it was influenced by youth culture. Aesthetics mainly presents the pursuit of lofty style and advocates the aesthetic style of struggle ideology. Twenty years after the reform and opening up, youth culture and enlightenment thought are aligned, and they are keen to establish new aesthetic principles based on the foundation of human nature in the middle and late 1990s. Youth culture began to merge with consumerism and mass culture, forming a unique youth subcultural landscape. When studying the influence of youth culture on Chinese aesthetics in the 20th century, it should be analyzed and criticized rationally and objectively.
【作者單位】： 鄭州大學文學院;
【基金】：河南省哲學社會科學規(guī)劃基金項目(2014BZX005) 河南省社科聯(lián)調研課題項目(SKL-2015-1085)
【分類號】：B83-092
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本文編號：1694109