本文選題：狷　切入點(diǎn)：儒家　出處：《美育學(xué)刊》2016年01期 　論文類型：期刊論文

【摘要】："狷"是中國(guó)古代特有的、徘徊于儒家與道家之間的文化概念,從內(nèi)涵上說(shuō)它主要是一個(gè)人格美學(xué)范疇。在個(gè)人氣質(zhì)上,清高孤傲,不屑不潔之人渾濁之事,恥賤污而不行;在表現(xiàn)形態(tài)上,漠視虛偽的道德規(guī)范,特立獨(dú)行,甚至有所偏執(zhí)。屈原的"狷狹"、阮籍的"狷狂"、陶潛的"狷隱"、姜夔的"狷介",是中國(guó)古代文人狷性人格傾向的典型代表。"狷"的實(shí)質(zhì),從根本上而言,是儒家精神的一種特殊變相。
[Abstract]:"Kong" is a unique cultural concept between Confucianism and Taoism in ancient China. It is mainly a category of personality aesthetics in terms of connotation. In the form of performance, disregard for hypocritical moral norms, maverick, There is even some paranoia. Qu Yuan's "belligerence", Ruan Ji's "mania", Tao Qian's "juicy concealment" and Jiang Kui's "honest introduction" are the typical representatives of the ancient Chinese literati's disposition to be eccentric. The essence of "Kong" is fundamentally speaking. It is a special disguised form of Confucian spirit.
【作者單位】： 南京師范大學(xué)國(guó)際文化教育學(xué)院;
【分類號(hào)】：B83-092
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本文編號(hào)：1614849