本文選題：生態(tài)美　切入點(diǎn)：間性　出處：《華中師范大學(xué)》2006年碩士論文　論文類型：學(xué)位論文

【摘要】： 生態(tài)美是人們從工業(yè)文明向生態(tài)文明轉(zhuǎn)型的范式轉(zhuǎn)換過程中生發(fā)出來的一種審美感悟，是充沛的生命與其生存環(huán)境和諧共在所展現(xiàn)出來的美的形式。同時(shí)，生態(tài)美也是“生態(tài)美學(xué)”這一方興未艾的美學(xué)學(xué)科的核心概念，，因此，探討生態(tài)美的間性規(guī)定與和諧內(nèi)涵對于我們把握生態(tài)美的精神實(shí)質(zhì)具有十分重要的理論意義。 生態(tài)美是一種秉持間性規(guī)定的審美形態(tài)，當(dāng)我們從人與自然的生態(tài)審美關(guān)系中去把握美的本體的時(shí)候，就不可能像傳統(tǒng)美學(xué)那樣單純從事物的自然屬性、精神現(xiàn)象或社會生活這些相對獨(dú)立的生態(tài)子系統(tǒng)中去理解它，更不能從“人類中心主義”的立場去解讀它，我們只能以人與自然“平等共生”的“間性”審美關(guān)系為核心，從生態(tài)系統(tǒng)的整體性、有機(jī)性、關(guān)系性和過程性中去把握生態(tài)美。生態(tài)美的間性規(guī)定主要體現(xiàn)在主客體間性審美尺度、主體間性審美尺度、自我間性審美尺度和文化間性審美尺度四個(gè)方面。 生態(tài)美的間性特質(zhì)決定了它必然以和諧境界為旨?xì)w。因?yàn)榘凑丈鷳B(tài)整體論觀點(diǎn)，世界是由“人——社會——自然”組成的復(fù)合生態(tài)系統(tǒng)，是一個(gè)和諧的有機(jī)整體，在這個(gè)有機(jī)整體中，和諧流布于宇宙的每一個(gè)角落。但是，生態(tài)美的和諧與傳統(tǒng)美學(xué)中的和諧觀念還是有著明顯區(qū)別的，它是一種基于生態(tài)學(xué)理念的和諧，其內(nèi)容包括多元共生、生物位育、競爭適生、系統(tǒng)平衡和協(xié)同創(chuàng)化等方面。那些與生態(tài)和諧無關(guān)的東西，是不可能激發(fā)人的生態(tài)美情懷的。
[Abstract]:Ecological beauty is a kind of aesthetic perception that people have come out in the process of transformation from industrial civilization to ecological civilization. It is the form of beauty that abundant life and its living environment harmoniously display. At the same time, Ecological beauty is also the core concept of "ecological aesthetics", which is in the ascendant aesthetic discipline. Therefore, it is of great theoretical significance to probe into the inter-regulation and harmonious connotation of ecological beauty for us to grasp the spiritual essence of ecological beauty. Ecological beauty is a kind of aesthetic form governed by interspace. When we grasp the essence of beauty from the ecological aesthetic relationship between man and nature, it is impossible for us to take the natural attributes of things as traditional aesthetics. To understand spiritual phenomena or social life in these relatively independent ecological subsystems cannot be interpreted from the standpoint of "anthropocentrism". We can only take the "interrelationship" aesthetic relationship of "equal symbiosis" between man and nature as the core. To grasp the ecological beauty from the whole, organic, relationship and process of the ecosystem. The interrelationship of ecological beauty is mainly embodied in the aesthetic scale between subject and object, the aesthetic scale between subject and object, and the aesthetic standard between subject and object. There are four aspects of self-aesthetic scale and inter-cultural aesthetic scale. The inter-nature of ecological beauty determines that it must aim at harmonious realm. According to ecological holism, the world is a complex ecosystem composed of "man, society and nature", and it is a harmonious organic whole. In this organic whole, harmony is distributed in every corner of the universe. However, the harmony of ecological beauty is obviously different from the concept of harmony in traditional aesthetics. It is a harmony based on ecological concept. The contents include pluralistic symbiosis, biologic breeding, suitable competition, system balance and co-creation, etc. Those that have nothing to do with ecological harmony can not arouse human ecological beauty feelings.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2006
【分類號】：B83

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 萬瑋蕓;生態(tài)美及其價(jià)值研究[D];南京林業(yè)大學(xué);2012年

本文編號：1573196