本文關鍵詞： 超美學 符號 消費社會 模擬 價值碎片化階段　出處：《黑龍江大學》2008年碩士論文　論文類型：學位論文

【摘要】： “超美學”是鮑德里亞對當下美學存在境況的描述與稱謂,同時,從這種觀念、立場看待美學,包括藝術與審美,也形成了他本人獨特的“超美學”的美學思想。 雖然“超美學”是鮑德里亞后期才提出的一個詞,但“超美學”思想的邏輯進程是從鮑德里亞早期對美學的思考就開始了的。隨著他對符號消費社會到模擬時代的考察,美學與藝術,也一步步從在日常生活中的符號化擴張、滲透,到其界限發(fā)生崩潰,獨特品質和自律性喪失與消解,最終在一種不確定與混亂的“價值的碎片化階段”,在一種虛無的“消失的模式”中,和一切事物一樣,以一種無意義又無休止的模擬、增殖與碎片化彌散的方式,走到了終結的地步。 鮑德里亞的“超美學”思想從西方后現代社會背景出發(fā),抓住了消費文化不斷擴張、高科技尤其是大眾傳媒迅猛發(fā)展等特點,對當下社會文化轉型和美學發(fā)展、變遷的現狀有很強的闡釋性,帶給我們以啟發(fā)與警示。但其思想并非一種建設性的理論話語,也有其局限與偏頗之處,這就需要我們辯證地分析、批判地看待其“超美學”思想,以期在對其理論的梳理、闡釋以及批判性的分析、反思中,為進一步豐富現有美學理論話語和思考現存社會文化、美學問題提供有益參考。
[Abstract]:"Super Aesthetics" is Baudrillard's description and appellation of the present aesthetic existence. At the same time, viewing aesthetics from this viewpoint and standpoint, including art and aesthetics, forms his own unique aesthetic thought of "Trans-Aesthetics". Although "super aesthetics" is a word proposed by Baudrillard in the later period, the logical process of the thought of "super aesthetics" begins from Baudrillard's early thinking on aesthetics. Aesthetics and art also step by step from symbolic expansion and infiltration in daily life to the collapse of its boundaries, the loss and deconstruction of its unique qualities and self-discipline. Eventually, in a "fragmented phase of value" of uncertainty and confusion, in a "vanishing pattern" of nothingness, in a meaningless and endless way of simulating, multiplying and fragmenting, like everything else, At the end of the day. From the background of western post-modern society, Baudrillard's "super aesthetics" thought grasped the characteristics of the constant expansion of consumer culture and the rapid development of high technology, especially the mass media. The present situation of change is very explanatory, which brings us inspiration and warning. However, its thought is not a constructive theoretical discourse, but also has its limitations and biases, which requires us to analyze dialectically. In the course of combing, interpreting and critical analysis of his theory, this paper provides a useful reference for further enriching the discourse of the existing aesthetic theory and thinking about the existing social culture and aesthetic problems.
【學位授予單位】：黑龍江大學
【學位級別】：碩士
【學位授予年份】：2008
【分類號】：B83

【引證文獻】

相關碩士學位論文 前1條

1 顧艷艷;影子的秘密—鮑德里亞擬像理論研究[D];西藏民族學院;2011年

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本文編號：1504202