本文關(guān)鍵詞：審美現(xiàn)代性視域中的斯達(dá)爾夫人美學(xué)思想研究　出處：《黑龍江大學(xué)》2009年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 審美現(xiàn)代性 斯達(dá)爾夫人 浪漫主義 德意志意識(shí) 女性主義

【摘要】： 本文旨在從審美現(xiàn)代性的視域中研究斯達(dá)爾夫人的美學(xué)思想。審美現(xiàn)代性是西方社會(huì)現(xiàn)代性進(jìn)程中的一個(gè)重要組成部分,它通過(guò)對(duì)美和藝術(shù)的重新定位,確立藝術(shù)的自身合法化和獨(dú)特審美價(jià)值,對(duì)啟蒙現(xiàn)代性的內(nèi)在危機(jī)進(jìn)行糾偏和救贖。斯達(dá)爾夫人身處啟蒙時(shí)代,因此,把她的美學(xué)理念放在審美現(xiàn)代性的視角下研究,就有了新的意義和價(jià)值。 斯達(dá)爾夫人認(rèn)為,文學(xué)的發(fā)生、發(fā)展是和社會(huì)環(huán)境密切相關(guān)的,她擺脫了古希臘以來(lái)文學(xué)的模仿論和審視文藝的主觀視角,用客觀的社會(huì)環(huán)境論對(duì)文學(xué)藝術(shù)自身的性質(zhì)、特點(diǎn)進(jìn)行考察,從地域上對(duì)不同的文學(xué)進(jìn)行劃分,并認(rèn)為文藝自身有長(zhǎng)成的過(guò)程,強(qiáng)調(diào)文藝的自律性。 斯達(dá)爾夫人倡導(dǎo)浪漫主義的批評(píng)方法,推崇德意志的民族文化,強(qiáng)調(diào)表現(xiàn)、想象、情感和創(chuàng)造力,用審美現(xiàn)代性的視角對(duì)文藝價(jià)值和衡量標(biāo)準(zhǔn)重新定位,用世界主義的態(tài)度傳播德意志民族中帶有近代精神的文學(xué)藝術(shù),把現(xiàn)代的人性定位為理性和感性雙重契合、無(wú)限豐富的多元統(tǒng)一,對(duì)啟蒙現(xiàn)代性中人性的缺失和人與自然的悖離進(jìn)行審美層面的救贖。 斯達(dá)爾夫人把現(xiàn)代女性定位為自主、獨(dú)立的存在,批判傳統(tǒng)男權(quán)社會(huì)中把女性視為男性附屬品的思想,批判近代婚姻制度對(duì)女性的壓抑和束縛,強(qiáng)調(diào)女性的獨(dú)立意識(shí)和自我意識(shí),在理論和創(chuàng)作上試圖提高女性的權(quán)利及社會(huì)地位。 斯達(dá)爾夫人的美學(xué)思想,在西方審美現(xiàn)代性的締造過(guò)程中,有重要意義。
[Abstract]:The purpose of this paper is to study Mrs. Starr's aesthetic thought from the perspective of aesthetic modernity. Aesthetic modernity is an important part of the process of modernity in western society. To establish the art's own legalization and unique aesthetic value, to correct and redeem the inherent crisis of enlightenment modernity. It has new significance and value to study her aesthetic concept from the perspective of aesthetic modernity. Mrs Starr believes that the occurrence and development of literature is closely related to the social environment. She has got rid of the imitation theory of literature and the subjective angle of view of literature and art since ancient Greece. This paper makes an investigation of the nature and characteristics of literature and art with the objective social environment theory, divides different literature from the region, and thinks that literature and art itself has the process of growing up, and emphasizes the self-discipline of literature and art. Mrs. Starr advocated the method of Romantic criticism, respected the German national culture, emphasized the expression, imagination, emotion and creativity, and redefined the literary value and measurement standard from the perspective of aesthetic modernity. Using the attitude of cosmopolitanism to spread the literature and art with modern spirit in the German nation, the modern human nature is positioned as a combination of rationality and sensibility, and infinite diversity and unity. The aesthetic redemption of the deficiency of human nature and the contradiction between man and nature in enlightenment modernity. Mrs. Starr regards modern women as independent and independent, criticizes the idea that women are regarded as male appendages in traditional patriarchal society, and criticizes the oppression and restraint of modern marriage system to women. It emphasizes the independence and self-consciousness of women and tries to improve the rights and social status of women in theory and creation. Mrs Starr's aesthetic thought is of great significance in the process of the creation of western aesthetic modernity.
【學(xué)位授予單位】：黑龍江大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類號(hào)】：B83

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 田雷;中國(guó)現(xiàn)代美學(xué)開創(chuàng)期崇高審美范疇研究[D];黑龍江大學(xué);2010年

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本文編號(hào)：1421915