發(fā)布時(shí)間：2019-04-03 09:10

【摘要】：水墨畫(huà)是我國(guó)傳統(tǒng)美術(shù)的基石,在千年的歷史長(zhǎng)河中逐漸形成了以水墨畫(huà)為基礎(chǔ)的東方技法。然而,數(shù)字信息時(shí)代網(wǎng)絡(luò)普及與新媒介的背景下,傳統(tǒng)技藝與科學(xué)技術(shù)的融合也在不斷加強(qiáng),給夾縫中生存的傳統(tǒng)技藝帶來(lái)了廣袤空間,水墨畫(huà)作為中國(guó)畫(huà)的基礎(chǔ)也在不斷的更新技藝,改變表達(dá)方式。 本論文在充分了解水墨畫(huà)意境的概念及其藝術(shù)特征的基礎(chǔ)上,分析了三維水墨動(dòng)畫(huà)對(duì)于水墨畫(huà)在發(fā)展過(guò)程中的優(yōu)勢(shì),并在三維水墨動(dòng)畫(huà)的實(shí)際制作過(guò)程中,進(jìn)一步闡述三維水墨動(dòng)畫(huà)中如何把握水墨畫(huà)寫(xiě)意特點(diǎn)。 意境表達(dá)在中國(guó)文化中占有非常重要的地位,尤其在水墨畫(huà)里意境是其靈魂,在總結(jié)水墨動(dòng)畫(huà)的發(fā)展現(xiàn)狀和水墨畫(huà)與水墨動(dòng)畫(huà)、三維水墨動(dòng)畫(huà)三者之間的聯(lián)系中,我們清楚地認(rèn)識(shí)到三者相輔相成,同歸同路,三維水墨動(dòng)畫(huà)是中國(guó)水墨畫(huà)與時(shí)俱進(jìn)和發(fā)展的必然產(chǎn)物。對(duì)現(xiàn)有三維水墨動(dòng)畫(huà)中舉例分析其發(fā)展過(guò)程中傳統(tǒng)水墨畫(huà)的寫(xiě)意與工法的體現(xiàn),充分認(rèn)識(shí)到電腦軟件技術(shù)可模仿傳統(tǒng)技藝的意境表達(dá)。完全認(rèn)識(shí)到意境內(nèi)涵與表現(xiàn)形式后我們通過(guò)三維軟件的制作流程,充分實(shí)踐驗(yàn)證了三維水墨動(dòng)畫(huà)的制作過(guò)程把握水墨畫(huà)在計(jì)算機(jī)條件下的不失固有文化的過(guò)程。最后在深入實(shí)踐后得到理論歸納以及三維水墨動(dòng)畫(huà)對(duì)于水墨畫(huà)的繼承發(fā)展所做的貢獻(xiàn)。三維水墨動(dòng)畫(huà)作為中國(guó)傳統(tǒng)文化象征的符號(hào)在世界嶄露頭角。在制作過(guò)程中把握好中國(guó)傳統(tǒng)水墨畫(huà)的“氣韻”、“境界”也成為作品的精髓；在計(jì)算機(jī)條件下基本能夠把水墨畫(huà)“以形寫(xiě)神”的筆法、墨法“表現(xiàn)出來(lái)”；對(duì)于數(shù)字手法模仿真實(shí)筆法、墨法等因素對(duì)三維水墨動(dòng)畫(huà)制作影響非常大；這些關(guān)鍵因素進(jìn)行有效的改進(jìn)對(duì)于水墨動(dòng)畫(huà)的創(chuàng)作有著積極因素,這些因素的改進(jìn)有助于中國(guó)水墨畫(huà)在數(shù)字條件下的進(jìn)一步發(fā)展與創(chuàng)新,而不改變水墨畫(huà)所強(qiáng)調(diào)的講究“氣韻生動(dòng)”,不拘泥于物體外表的肖似,而多強(qiáng)調(diào)抒發(fā)作者的主觀(guān)情趣。在傳統(tǒng)文化創(chuàng)新發(fā)展的今天保留固有文化“根”的基礎(chǔ)之上,讓中國(guó)傳統(tǒng)文化與世界美術(shù)新技藝完美結(jié)合,是我們藝術(shù)工作者進(jìn)一步的思考與探索的重中之重。
[Abstract]:Ink painting is the cornerstone of Chinese traditional art, and gradually formed the oriental techniques based on ink painting in the long history of thousands of years. However, under the background of the popularization of the network and the new media in the digital information age, the integration of traditional technology and science and technology is also constantly strengthening, bringing a vast space for the traditional techniques that exist in the crevice. Ink painting as the basis of Chinese painting is also constantly updating the skills, changing the way of expression. On the basis of fully understanding the concept of artistic conception and artistic characteristics of ink painting, this paper analyzes the advantages of three-dimensional ink animation in the development of ink painting, and in the actual production of three-dimensional ink animation, Further elaborated in the three-dimensional ink animation how to grasp the ink painting freehand characteristics. The expression of artistic conception plays a very important role in Chinese culture, especially in ink painting, which is its soul. In the summary of the development of ink and ink animation and the relationship between ink painting and ink animation, three-dimensional ink animation, the artistic conception is the soul of Chinese ink painting. We clearly recognize that the three complement each other and return to the same path. Three-dimensional ink animation is the inevitable product of the development of Chinese ink painting. This paper gives an example to analyze the expression of traditional ink painting in the process of its development, and fully realizes that the computer software technology can imitate the artistic conception expression of traditional techniques. After fully realizing the connotation and expression form of artistic conception, we fully practice and verify the process of making 3D ink animation to grasp the inherent culture of ink painting under the condition of computer through the production process of 3D software. Finally, the theoretical induction and the contribution of three-dimensional ink animation to the inheritance and development of ink painting are obtained after in-depth practice. As a symbol of Chinese traditional culture, three-dimensional ink animation is emerging in the world. In the process of making Chinese traditional Chinese ink painting "charm", "realm" has also become the essence of the work, under the computer conditions can basically ink painting "to the shape of God" pen method, ink method "show"; For the digital method to imitate the real pen, ink method and other factors have a great impact on the production of three-dimensional ink animation; These key factors for the effective improvement of ink animation creation have positive factors, these factors are conducive to the further development and innovation of Chinese ink painting under the digital conditions, And do not change the emphasis of ink painting "charm vivid", not confined to the appearance of objects, but more emphasis on expressing the subjective interest of the author. On the basis of keeping the "root" of the inherent culture in the innovation and development of traditional culture, it is the most important for our artists to combine the Chinese traditional culture with the new art techniques of the world, which is the most important point for our artists to ponder and explore further.
【學(xué)位授予單位】：延邊大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：TP391.41;J212

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