三維虛擬交互技術(shù)在水墨動畫中的應(yīng)用與研究
發(fā)布時間：2019-04-02 19:51
【摘要】：隨著數(shù)字時代的到來和外來文化的沖擊,中國傳統(tǒng)文化藝術(shù)正越來越受到人們的重視和發(fā)展,許多傳統(tǒng)藝術(shù)的理論研究和藝術(shù)表現(xiàn)形式也正不斷的得到拓展和創(chuàng)新。特別是在水墨動畫藝術(shù)領(lǐng)域,伴隨著動畫制作技術(shù)的發(fā)展變革,不斷地涌現(xiàn)出大量優(yōu)秀的水墨動畫藝術(shù)作品,在很大程度上豐富和拓展了傳統(tǒng)水墨藝術(shù)的視覺表現(xiàn)形式。但目前的三維水墨動畫大多仍是以傳統(tǒng)和被動的方式去展示和欣賞；其本質(zhì)上是由傳統(tǒng)的二維平面轉(zhuǎn)變?yōu)榫哂辛Ⅲw空間的三維視覺畫面,更多的只是滿足了在視覺層面上的一定審美需求；并且,傳統(tǒng)單一的三維空間展示并不能滿足具有真實沉浸感的觀賞體驗需求,也不能夠深入有效的表現(xiàn)出水墨動畫藝術(shù)本身的獨特韻味和內(nèi)在精神。 現(xiàn)如今具有視覺沉浸、多感官、跨平臺特征的虛擬交互式觀賞體驗已逐漸成為許多藝術(shù)設(shè)計領(lǐng)域如工業(yè)設(shè)計、建筑展示等應(yīng)用發(fā)展的新方向、新趨勢。同時,從水墨畫的藝術(shù)精神層面來講,其自身所蘊(yùn)含獨特的“意、境、韻”是水墨畫的主要藝術(shù)特征；且與虛擬交互技術(shù)的優(yōu)勢特征相符合,所以其存在著深層的藝術(shù)表現(xiàn)需求和融合性；即需要更有深度和力度的去突顯和表現(xiàn)水墨藝術(shù)特征；而從具體的技術(shù)層面來講,近些年三維虛擬交互技術(shù)的廣泛研究和應(yīng)用熱潮,為虛擬交互式體驗提供了技術(shù)支持；并且目前仍未有相關(guān)的技術(shù)應(yīng)用在所謂真正意義上的交互式水墨動畫藝術(shù)中,所以本文將面臨著來自藝術(shù)表現(xiàn)和技術(shù)支持等層面的一系列挑戰(zhàn)。 本文將通過對傳統(tǒng)水墨動畫的發(fā)展現(xiàn)狀、視覺藝術(shù)語言,以及三維虛擬交互技術(shù)的優(yōu)勢特點、可行性等方面進(jìn)行分析提煉、構(gòu)思設(shè)計以及案例制作,最終以實驗性質(zhì)的虛擬交互式水墨動畫作為對本文研究創(chuàng)新點的論證；以及總結(jié)出所存在的局限性和不足；同時也能夠?qū)窈笪覈鴤鹘y(tǒng)水墨動畫藝術(shù)形式的新發(fā)展提供有力的借鑒和參考價值。
[Abstract]:With the advent of the digital age and the impact of foreign culture, Chinese traditional culture and art are getting more and more attention and development, and the theoretical research and artistic expression of many traditional arts are also constantly expanding and innovating. Especially in the field of ink-painting animation art, with the development and transformation of animation technology, a large number of outstanding ink-painting animation art works have been constantly emerging, to a great extent, enriched and expanded the visual form of traditional ink-painting art. But the current three-dimensional ink animation is still in the traditional and passive way to show and enjoy; In essence, it changes from the traditional two-dimensional plane to the three-dimensional visual picture with three-dimensional space, and it only satisfies the certain aesthetic needs on the visual level. Moreover, the traditional single three-dimensional space display can not meet the needs of the real immersive viewing experience, nor can it show the unique charm and inner spirit of the ink animation art in depth and effectively. Nowadays, the virtual interactive viewing experience with the characteristics of visual immersion, multi-sensory and cross-platform has gradually become a new direction and trend in the application and development of many artistic design fields such as industrial design, architectural display and so on. At the same time, from the artistic spirit of ink painting, its own unique "meaning, environment, rhyme" is the main artistic characteristics of ink painting; And it is consistent with the advantages of virtual interaction technology, so it has deep artistic expression needs and integration, that is to say, it needs more depth and strength to highlight and express the artistic characteristics of ink painting; From the specific technical level, the extensive research and application upsurge of 3D virtual interaction technology in recent years has provided technical support for virtual interactive experience. And there are still no relevant technologies applied in the so-called interactive ink animation art, so this paper will face a series of challenges from the aspects of artistic expression and technical support. In this paper, the development of traditional ink animation, visual art language, as well as the advantages and characteristics of three-dimensional virtual interaction technology, feasibility and other aspects of analysis and refinement, conceptual design and case production, and so on, will be analyzed and refined. Finally, the virtual interactive ink animation of experimental nature is taken as the demonstration of the innovation of this paper. At the same time, it can provide a powerful reference and reference value for the new development of traditional Chinese ink animation art form in the future.
【學(xué)位授予單位】：東華大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J218.7;TP391.9
本文編號：2452869
[Abstract]:With the advent of the digital age and the impact of foreign culture, Chinese traditional culture and art are getting more and more attention and development, and the theoretical research and artistic expression of many traditional arts are also constantly expanding and innovating. Especially in the field of ink-painting animation art, with the development and transformation of animation technology, a large number of outstanding ink-painting animation art works have been constantly emerging, to a great extent, enriched and expanded the visual form of traditional ink-painting art. But the current three-dimensional ink animation is still in the traditional and passive way to show and enjoy; In essence, it changes from the traditional two-dimensional plane to the three-dimensional visual picture with three-dimensional space, and it only satisfies the certain aesthetic needs on the visual level. Moreover, the traditional single three-dimensional space display can not meet the needs of the real immersive viewing experience, nor can it show the unique charm and inner spirit of the ink animation art in depth and effectively. Nowadays, the virtual interactive viewing experience with the characteristics of visual immersion, multi-sensory and cross-platform has gradually become a new direction and trend in the application and development of many artistic design fields such as industrial design, architectural display and so on. At the same time, from the artistic spirit of ink painting, its own unique "meaning, environment, rhyme" is the main artistic characteristics of ink painting; And it is consistent with the advantages of virtual interaction technology, so it has deep artistic expression needs and integration, that is to say, it needs more depth and strength to highlight and express the artistic characteristics of ink painting; From the specific technical level, the extensive research and application upsurge of 3D virtual interaction technology in recent years has provided technical support for virtual interactive experience. And there are still no relevant technologies applied in the so-called interactive ink animation art, so this paper will face a series of challenges from the aspects of artistic expression and technical support. In this paper, the development of traditional ink animation, visual art language, as well as the advantages and characteristics of three-dimensional virtual interaction technology, feasibility and other aspects of analysis and refinement, conceptual design and case production, and so on, will be analyzed and refined. Finally, the virtual interactive ink animation of experimental nature is taken as the demonstration of the innovation of this paper. At the same time, it can provide a powerful reference and reference value for the new development of traditional Chinese ink animation art form in the future.
【學(xué)位授予單位】：東華大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J218.7;TP391.9
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