論木版年畫元素在中國當(dāng)代油畫中的運(yùn)用
發(fā)布時間：2019-03-26 20:45
【摘要】：木版年畫是中國傳統(tǒng)民間美術(shù)的重要組成部分之一，也是我國特有的普遍的一種傳統(tǒng)民間藝術(shù)形式。木版年畫獨特的藝術(shù)語言樣式，，也使其成為我們中華民族傳統(tǒng)民間文化的寶貴財富。 傳統(tǒng)木版年畫元素體現(xiàn)了中國傳統(tǒng)美學(xué)中的審美追求，并且潛移默化地影響著中國的油畫創(chuàng)作。同時傳統(tǒng)木版年畫元素也吸引了不少中國當(dāng)代油畫家，這些油畫家們也將木版年畫元素運(yùn)用到了他們的油畫創(chuàng)作當(dāng)中，例如油畫家劉大鴻、李天元、顧黎明等都對中國傳統(tǒng)木版年畫元素進(jìn)行了不同程度的借鑒。從這些中國當(dāng)代油畫家借鑒傳統(tǒng)木版年畫元素的油畫作品中，我們可以看到西方繪畫技巧和中國本土文化內(nèi)涵的完美融合西為中用，從而為中國當(dāng)代油畫的不斷發(fā)展和進(jìn)行本土化演變增加了一條新思路。 正文首先介紹了木版年畫的概述，并且將木版年畫元素的特征，如造型、構(gòu)圖樣式，色彩樣式和題材特征逐一闡明。接著就敘述了對木版年畫元素的色彩樣式，造型、構(gòu)圖樣式和題材特征這四個元素在中國當(dāng)代油畫中運(yùn)用的具體表現(xiàn)。在文章的第三章，介紹了顧黎明、劉大鴻以及李開元、劉鐵飛四位中國當(dāng)代油畫家在自己的油畫創(chuàng)作中對木版年畫元素各個不同方面的具體運(yùn)用和借鑒，以此為第二章中的闡述提供了實例。最后對本文進(jìn)行梳理，闡明木版年畫元素在中國當(dāng)代油畫運(yùn)用中產(chǎn)生的意義。主要通過對中國當(dāng)代油畫本土化發(fā)展趨向的研究，得出傳統(tǒng)木版年畫元素在中國當(dāng)代油畫創(chuàng)作中合理運(yùn)用的可行性，以及對中國木版年畫元素的借鑒在中國當(dāng)代油畫發(fā)展中起到的重要積極作用。從而引出最終對我國的木版年畫藝術(shù)乃至對整個民間美術(shù)的傳承、保護(hù)和發(fā)揚(yáng)，將中國傳統(tǒng)木版年畫元素與中國當(dāng)代油畫相融合，以此來更好的促進(jìn)中國當(dāng)代油畫民族化的發(fā)展。
[Abstract]:Woodcut New year painting is one of the important components of Chinese traditional folk art, and it is also a universal traditional folk art form. The unique artistic language style of woodcut New year painting also makes it become the precious wealth of Chinese traditional folk culture. The elements of traditional woodblock New year paintings embody the aesthetic pursuit of Chinese traditional aesthetics, and influence Chinese oil painting creation imperceptibly. At the same time, the elements of traditional woodblock New year paintings have also attracted many Chinese contemporary oil painters. These oil painters have also applied the elements of woodblock New year paintings to their oil paintings, such as oil painters Liu Dahong and Li Tianyuan. Gu Liming and so on to the Chinese traditional woodblock new year painting element has carried on the different degree of reference. From these oil paintings of contemporary Chinese oil painters that draw lessons from the elements of traditional woodblock New year paintings, we can see that the perfect integration of western painting skills and the connotation of Chinese native culture is for Chinese use. Thus for the continuous development and localization of Chinese contemporary oil painting, a new train of thought has been added. This paper first introduces the outline of woodblock New year painting, and clarifies the characteristics of the elements, such as modeling, composition style, color style and subject matter one by one. Then it describes the color style, modeling, composition style and theme characteristics of the elements of the woodblock New year painting in the Chinese contemporary oil painting in the application of the specific performance of the four elements of the color style, modeling, composition style and theme characteristics of the four elements. In the third chapter of the article, it introduces four contemporary Chinese oil painters, Gu Ling, Liu Dahong, Li Kaiyuan and Liu Tiefei, who have used them for reference in their oil painting creation in different aspects of the elements of the woodblock New year painting. This provides an example for the elaboration in the second chapter. Finally, this paper combs to clarify the significance of woodcut New year painting elements in the application of Chinese contemporary oil painting. Through the research on the development trend of localization of Chinese contemporary oil painting, the feasibility of rational application of traditional woodblock New year painting elements in Chinese contemporary oil painting creation is obtained. And the reference to the elements of Chinese woodcut New year painting plays an important positive role in the development of Chinese contemporary oil painting. This leads to the ultimate inheritance, protection and development of the woodcut New year painting art of our country and even the whole folk art, and the fusion of the elements of Chinese traditional woodblock New year painting and Chinese contemporary oil painting. In order to better promote the development of Chinese contemporary oil painting nationalization.
【學(xué)位授予單位】：江蘇師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J213
本文編號：2447916
[Abstract]:Woodcut New year painting is one of the important components of Chinese traditional folk art, and it is also a universal traditional folk art form. The unique artistic language style of woodcut New year painting also makes it become the precious wealth of Chinese traditional folk culture. The elements of traditional woodblock New year paintings embody the aesthetic pursuit of Chinese traditional aesthetics, and influence Chinese oil painting creation imperceptibly. At the same time, the elements of traditional woodblock New year paintings have also attracted many Chinese contemporary oil painters. These oil painters have also applied the elements of woodblock New year paintings to their oil paintings, such as oil painters Liu Dahong and Li Tianyuan. Gu Liming and so on to the Chinese traditional woodblock new year painting element has carried on the different degree of reference. From these oil paintings of contemporary Chinese oil painters that draw lessons from the elements of traditional woodblock New year paintings, we can see that the perfect integration of western painting skills and the connotation of Chinese native culture is for Chinese use. Thus for the continuous development and localization of Chinese contemporary oil painting, a new train of thought has been added. This paper first introduces the outline of woodblock New year painting, and clarifies the characteristics of the elements, such as modeling, composition style, color style and subject matter one by one. Then it describes the color style, modeling, composition style and theme characteristics of the elements of the woodblock New year painting in the Chinese contemporary oil painting in the application of the specific performance of the four elements of the color style, modeling, composition style and theme characteristics of the four elements. In the third chapter of the article, it introduces four contemporary Chinese oil painters, Gu Ling, Liu Dahong, Li Kaiyuan and Liu Tiefei, who have used them for reference in their oil painting creation in different aspects of the elements of the woodblock New year painting. This provides an example for the elaboration in the second chapter. Finally, this paper combs to clarify the significance of woodcut New year painting elements in the application of Chinese contemporary oil painting. Through the research on the development trend of localization of Chinese contemporary oil painting, the feasibility of rational application of traditional woodblock New year painting elements in Chinese contemporary oil painting creation is obtained. And the reference to the elements of Chinese woodcut New year painting plays an important positive role in the development of Chinese contemporary oil painting. This leads to the ultimate inheritance, protection and development of the woodcut New year painting art of our country and even the whole folk art, and the fusion of the elements of Chinese traditional woodblock New year painting and Chinese contemporary oil painting. In order to better promote the development of Chinese contemporary oil painting nationalization.
【學(xué)位授予單位】：江蘇師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J213
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