美國(guó)抽象表現(xiàn)主義繪畫(huà)觀念和創(chuàng)作研究
發(fā)布時(shí)間：2019-03-26 15:16
【摘要】：抽象表現(xiàn)主義是二戰(zhàn)之后紐約出現(xiàn)的一場(chǎng)廣泛的藝術(shù)運(yùn)動(dòng)。針對(duì)抽象表現(xiàn)主義,肯沃思·莫菲特曾表達(dá)了自己的看法。他指出,法國(guó)和歐洲的畫(huà)家受到戰(zhàn)亂之苦,不得已來(lái)美國(guó)避難,使美國(guó)人感覺(jué)自己身處現(xiàn)代運(yùn)動(dòng)中心,這增強(qiáng)了美國(guó)人的信心,大力推動(dòng)藝術(shù)活動(dòng)的開(kāi)展,并對(duì)歐洲繪畫(huà)傳統(tǒng)予以繼承和發(fā)揚(yáng)。剛剛結(jié)束二戰(zhàn),藝術(shù)的火焰迅速燃燒,抽象表現(xiàn)主義得到了較快發(fā)展,紐約也逐漸成為了世界藝術(shù)中心。 在抽象表現(xiàn)主義形成過(guò)程中,有兩位繪畫(huà)先驅(qū)對(duì)其發(fā)展產(chǎn)生了至關(guān)重要的影響,一位是漢斯·霍夫曼,另一位是阿夏爾·戈?duì)柣�。除此之外比較重要的畫(huà)家還包括杰克遜·波洛克、巴尼特·紐曼和羅伯特·馬瑟韋爾等�？偟膩�(lái)看,抽象表現(xiàn)主義繪畫(huà)中缺乏過(guò)多的描述性方法,而其表達(dá)概念往往通過(guò)兩種方式,一種方式是表現(xiàn)性方法,另一種方式是構(gòu)成性方法。兩種方法的區(qū)分形成了行動(dòng)畫(huà)派和色域畫(huà)派兩個(gè)主要組成部分,行動(dòng)畫(huà)派的代表是德·庫(kù)寧、波洛克等,而色域畫(huà)派的代表是羅斯科、紐曼等；行動(dòng)畫(huà)派的創(chuàng)作基礎(chǔ)是動(dòng)作和姿態(tài),色域畫(huà)派則將色彩作為其表現(xiàn)事物的核心和關(guān)鍵。在此基礎(chǔ)上,其畫(huà)派內(nèi)部充滿變化,風(fēng)格多樣,技法不一。抽象表現(xiàn)主義繪畫(huà)及其創(chuàng)作理論在美國(guó)乃至世界都有著重要的地位。直到上世紀(jì)50年代末,抽象表現(xiàn)主義發(fā)展黯淡,逐漸走向衰落。但是我們?nèi)詰?yīng)該看到,它對(duì)后繼的美國(guó)藝術(shù)影響深遠(yuǎn)。作為西方現(xiàn)代主義藝術(shù)后期代表,許多后繼藝術(shù)家從中受到很大的啟發(fā)。 通過(guò)研究抽象表現(xiàn)主義繪畫(huà)創(chuàng)作理論及其歷史語(yǔ)境,本文總結(jié)了抽象表現(xiàn)主義繪畫(huà)形成過(guò)程中美學(xué)和非美學(xué)因素的交互影響,發(fā)現(xiàn)其創(chuàng)作實(shí)際是在繼承歐洲現(xiàn)代主義繪畫(huà)抽象與表現(xiàn)兩大主流基礎(chǔ)上的交融和突破策略,這種突破策略使其呈現(xiàn)出諸多嶄新的審美特征。一方面,他們延續(xù)了自康德以來(lái)那種藝術(shù)審美自律的觀念；一方面,他們又無(wú)意間在審美主體與客體之間做出新的探索,孕育了藝術(shù)轉(zhuǎn)向的革命。本文將抽象表現(xiàn)主義繪畫(huà)放入整個(gè)西方現(xiàn)代藝術(shù)敘事中審視,闡明其貢獻(xiàn)和局限。作為現(xiàn)代主義最后的綻放,抽象表現(xiàn)主義中的諸多因素已經(jīng)預(yù)示了當(dāng)代藝術(shù)的發(fā)展方向,盡管這條藝術(shù)前行之路依舊晦暗不明。
[Abstract]:Abstract Expressionism is a widespread art movement in New York after World War II. For abstract expressionism, Kenworth Moffet has expressed his views. He pointed out that French and European painters suffered from the war and had to take refuge in the United States, making Americans feel like they are in the center of modern sports. This has strengthened the confidence of Americans and vigorously promoted the development of artistic activities. And to the European painting tradition to inherit and carry forward. Just after World War II, the flame of art burned rapidly, abstract expressionism developed rapidly, and New York gradually became the center of art in the world. In the process of the formation of abstract expressionism, two painting pioneers had a vital influence on its development, one was Hans Hoffman, the other was Archer Golgi. Other important painters include Jackson Pollock, Barnett Newman and Robert Marthwell. Generally speaking, abstract expressionism lacks too many descriptive methods, and its concept is often expressed in two ways, one is the expressive method, the other is the constructional method. The distinction between the two methods forms two main components: action painting school and color gamut painting school, the representative of action painting school is Dekkonen, Pollock, etc., while the representative of color gamut painting school is Roscoe, Newman and so on. Action painting is based on action and posture, while gamut painting takes color as its core and key. On this basis, his school of painting is full of changes, styles and techniques are different. Abstract expressionism painting and its creation theory play an important role in the United States and even the world. Until the late 1950s, the development of abstract expressionism was bleak and gradually declined. But we should still see that it has a profound impact on subsequent American art. As the late representative of western modernist art, many subsequent artists received great inspiration from it. Through the study of abstract expressionism painting creation theory and its historical context, this paper summarizes the interaction between aesthetic and non-aesthetic factors in the formation of abstract expressionism painting. It is found that his creation is a blend and breakthrough strategy on the basis of inheriting the abstractions and manifestations of European modernist painting. This breakthrough strategy makes it present many new aesthetic features. On the one hand, they continue the concept of artistic aesthetic self-discipline since Kant; on the one hand, they inadvertently make a new exploration between the aesthetic subject and object, which gave birth to the revolution of artistic turn. In this paper, abstract expressionism painting into the whole western modern art narrative to examine, clarify its contribution and limitations. As the last blooming of modernism, many factors in abstract expressionism have foretold the development of contemporary art, although the road forward is still obscure.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J205
本文編號(hào)：2447674
[Abstract]:Abstract Expressionism is a widespread art movement in New York after World War II. For abstract expressionism, Kenworth Moffet has expressed his views. He pointed out that French and European painters suffered from the war and had to take refuge in the United States, making Americans feel like they are in the center of modern sports. This has strengthened the confidence of Americans and vigorously promoted the development of artistic activities. And to the European painting tradition to inherit and carry forward. Just after World War II, the flame of art burned rapidly, abstract expressionism developed rapidly, and New York gradually became the center of art in the world. In the process of the formation of abstract expressionism, two painting pioneers had a vital influence on its development, one was Hans Hoffman, the other was Archer Golgi. Other important painters include Jackson Pollock, Barnett Newman and Robert Marthwell. Generally speaking, abstract expressionism lacks too many descriptive methods, and its concept is often expressed in two ways, one is the expressive method, the other is the constructional method. The distinction between the two methods forms two main components: action painting school and color gamut painting school, the representative of action painting school is Dekkonen, Pollock, etc., while the representative of color gamut painting school is Roscoe, Newman and so on. Action painting is based on action and posture, while gamut painting takes color as its core and key. On this basis, his school of painting is full of changes, styles and techniques are different. Abstract expressionism painting and its creation theory play an important role in the United States and even the world. Until the late 1950s, the development of abstract expressionism was bleak and gradually declined. But we should still see that it has a profound impact on subsequent American art. As the late representative of western modernist art, many subsequent artists received great inspiration from it. Through the study of abstract expressionism painting creation theory and its historical context, this paper summarizes the interaction between aesthetic and non-aesthetic factors in the formation of abstract expressionism painting. It is found that his creation is a blend and breakthrough strategy on the basis of inheriting the abstractions and manifestations of European modernist painting. This breakthrough strategy makes it present many new aesthetic features. On the one hand, they continue the concept of artistic aesthetic self-discipline since Kant; on the one hand, they inadvertently make a new exploration between the aesthetic subject and object, which gave birth to the revolution of artistic turn. In this paper, abstract expressionism painting into the whole western modern art narrative to examine, clarify its contribution and limitations. As the last blooming of modernism, many factors in abstract expressionism have foretold the development of contemporary art, although the road forward is still obscure.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J205
【參考文獻(xiàn)】
相關(guān)期刊論文 前1條
1 Clement Greenberg,易英;走向更新的拉奧孔[J];世界美術(shù);1991年04期
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