【摘要】：20世紀(jì)中葉以來,李可染作為倡導(dǎo)革新中國山水畫的大師,對(duì)現(xiàn)代中國畫壇產(chǎn)生了巨大影響。李可染以其獨(dú)特的筆墨語言為現(xiàn)代中國畫壇注入新的活力,尤其是在筆墨上的創(chuàng)新,更為新時(shí)代山水畫的發(fā)展奠定了基礎(chǔ)。李可染用其一生的藝術(shù)耕耘詮釋了自己不斷突破傳統(tǒng)、大膽創(chuàng)新的藝術(shù)追求,并以獨(dú)特的藝術(shù)語言成就了他在中國山水畫中的歷史地位,越來越多的學(xué)者也開始關(guān)注李可染山水畫的筆墨語言。 本文主要從李可染山水畫中精妙的筆墨角度進(jìn)行研究,重點(diǎn)分析了他的筆墨來源、形成以及創(chuàng)新。首先通過搜集資料、借鑒優(yōu)秀山水畫作品,引入李可染山水畫筆墨在時(shí)代背景影響下的變化,并分析筆墨變化的原因。接下來主要從李可染對(duì)傳統(tǒng)山水畫筆墨語言的突破和創(chuàng)新層面進(jìn)行探究,突破創(chuàng)新是建立在繼承傳統(tǒng)、借鑒中西基礎(chǔ)上的。從繼承元代文人山水畫筆墨和清代以龔賢和石濤為代表的創(chuàng)新山水畫筆墨、借鑒西方繪畫思想而來,到逐步形成自己獨(dú)特的筆墨風(fēng)格：在筆法上,他注重用筆的變化以及用筆的力度,將傳統(tǒng)筆法與西方繪畫之素描的技法相結(jié)合,增強(qiáng)了物象的造型感,強(qiáng)調(diào)筆法與墨法的結(jié)合；在墨法上,他注重對(duì)墨色的暈染、積墨法的創(chuàng)新、光色在墨色中的運(yùn)用以及墨色在繪畫中擔(dān)任色彩角色的研究。正是在筆法墨、墨法上的創(chuàng)新形成了李可染繪畫的筆精墨妙。文章最后對(duì)李可染的歷史地位和影響進(jìn)行進(jìn)一步闡述。 李可染在筆墨藝術(shù)上的不斷探索和創(chuàng)新,最終完成了對(duì)傳統(tǒng)筆墨的突破,其山水畫筆墨成為一種抽象的意蘊(yùn),其筆墨具有獨(dú)特的審美價(jià)值和時(shí)代特征。李可染山水畫筆墨藝術(shù)的創(chuàng)新對(duì)現(xiàn)當(dāng)代山水畫的發(fā)展有著重要的影響。
[Abstract]:Since the middle of the 20th century, Li Keran, as a master of the innovation of Chinese landscape painting, has had a great influence on modern Chinese painting. Li Keran, with his unique pen and ink language, has injected new vitality into the modern Chinese painting world, especially the innovation in pen and ink, and laid the foundation for the development of landscape painting in the new era. Li Keran explained his artistic pursuit of breaking through the tradition and bold innovation, and achieved his historical position in Chinese landscape painting with his unique artistic language. More and more scholars also began to pay attention to Li Keran landscape painting pen and ink language. In this paper, Li Keran's landscape painting from the perspective of exquisite pen and ink, focusing on the analysis of his pen and ink source, formation and innovation. Firstly, through collecting information, drawing lessons from excellent landscape painting works, introducing the change of Li Keran landscape painting ink under the background of the times, and analyzing the reasons for the change of pen and ink. Then mainly from Li Keran to the traditional landscape painting ink language breakthrough and innovation level to explore, breakthrough innovation is based on inheriting the tradition, drawing lessons from the Chinese and Western basis. From inheriting the brushwork and ink of the literati of the Yuan Dynasty and the creative landscape painting represented by Gong Xian and Shi Tao in the Qing Dynasty, drawing lessons from the western painting thought, to gradually form its own unique style of pen and ink: in the style of writing, He paid attention to the change of pen and the intensity of pen, combined the traditional pen method with the sketch technique of western painting, enhanced the shape feeling of object image, emphasized the combination of pen method and ink method; In ink law, he pays attention to the dizziness of ink color, the innovation of ink accumulation method, the application of light color in ink color, and the study of ink color playing a color role in painting. It is in the pen ink, ink on the creation of Li Keran painting fine ink. At the end of this paper, Li Keran's historical status and influence are further expounded. Li Keran's continuous exploration and innovation in the art of pen and ink, finally completed the breakthrough to the traditional pen and ink, his landscape painting pen and ink became an abstract implication, its pen ink has unique aesthetic value and the characteristics of the times. The innovation of Li Keran's landscape painting and ink art has an important influence on the development of modern and contemporary landscape painting.
【學(xué)位授予單位】：山東理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J205

【參考文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 卜登科;李可染山水畫“墨法”研究[D];中國藝術(shù)研究院;2008年

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本文編號(hào)：2445835