【摘要】：潘天壽時(shí)代的中國,正處于數(shù)千年未有的大變局之中。潘天壽以繪畫并且以中國畫為己任,選擇進(jìn)入了他那個(gè)時(shí)代的中國畫特有處境。潘天壽信奉傳統(tǒng)經(jīng)典文化所孕育的個(gè)體人格力量,鐘情于中國藝術(shù)特有的情韻、境界和格調(diào),并且以弘揚(yáng)其躋身世界文化之林的現(xiàn)代性價(jià)值與未來學(xué)價(jià)值為己任,甚至作為唯一的人生目標(biāo),為之百折不撓、奮斗不息。本文擬從潘天壽的文化處境著眼,尋繹其對(duì)待處境和超越處境的歷史軌跡,希望能在常規(guī)視線之外發(fā)現(xiàn)一些文化史的意義。
[Abstract]:China, in the age of Pan Tianshou, is in a great transformation of thousands of years. Pan Tianshou, painting and taking Chinese painting as its own, chose to enter his special situation of Chinese painting in that time. Pan Tianshou believes in the individual personality power of the traditional classical culture, and is in love with the unique charm, realm and style of Chinese art, and to carry forward the modernity value and the unlearned value of the forest in the world culture, even as the sole purpose of life, to be flexible, For a long time. This paper is to find out the historical trace of the situation and the above situation from the perspective of the cultural situation of Pan Tianshou, and hope to discover the significance of some cultural history outside the regular line of sight.
【作者單位】： 上海書畫出版社;
【分類號(hào)】：J212

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本文編號(hào)：2445561