延安時期版畫藝術民俗性的研究
發(fā)布時間：2019-03-20 08:16
【摘要】：延安時期(1937-1945年)的版畫藝術在中國繪畫史上獨樹一幟,特別是在這個非常特殊的歷史時期,大家關注的是版畫藝術的革命性、戰(zhàn)斗性,而往往忽略了版畫藝術的民俗性。版畫作為一門比較獨特的藝術形式,歷史悠久,但是延安時期版畫藝術的歷史淵源應該從魯迅先生倡導的新興木刻藝術講起,也是中國創(chuàng)作型版畫的開始,特別是抗日戰(zhàn)爭的爆發(fā),藝術家奔赴延安,以美術作為革命的武器,但是在版畫藝術的發(fā)展之中,通過《在文藝座談會上的講話》精神的指引,版畫藝術家將民間美術融入到了版畫的創(chuàng)作之中,走出了一條具有民俗特性的藝術化大道,對其它地區(qū)或是之后版畫藝術的發(fā)展產(chǎn)生了重大的影響。 第一章：主要是分析延安版畫民俗性的初步形成,以魯迅先生倡導的新興版畫藝術為起點,去分析新興版畫藝術的起源及誕生的歷史環(huán)境,以及新興版畫在延安這種特殊環(huán)境的影響下所產(chǎn)生的新觀念、新技法,還有同國統(tǒng)區(qū)版畫藝術的關系；第二章：主要是對延安傳統(tǒng)版畫與新版畫的比較研究,特別注重延安版畫藝術的民俗特性。通過《在文藝座談會上的講話》精神的影響,去分析對延安版畫藝術民俗性形成所起的作用,并比較它們的異同；第三章：本章是本論文的重點章節(jié),主要是對延安時期版畫藝術的民俗性進行重點研究,當時的中國正處于比較特殊的歷史時期,也許大家關注的是版畫藝術在革命及戰(zhàn)斗中所起的作用,而忽略了極為重要的民俗特性。民俗文化作為我們生活中非常重要的一部分,我們可以很好的把民俗文化與藝術創(chuàng)作進行結合；第四章：主要是分析延安時期版畫藝術的民俗性對新中國版畫藝術的影響。延安時期版畫藝術的民俗性與新中國版畫藝術民俗性的異同,及延安時期版畫藝術的民俗性對新中國版畫藝術民俗發(fā)展的影響。 延安版畫作為在特殊歷史時期和社會環(huán)境下成長起來的藝術,在中美美術史上占有獨特的地位,不僅要分析其思想內涵,而且要對他的形成原因、特點及影響進行重新認識與評估。這對于之后中國美術的健康發(fā)展以及中國美術走向世界、走向未來,具有極大的啟迪作用。
[Abstract]:The printing art of Yan'an period (1937-1945) is unique in the history of Chinese painting, especially in this very special historical period, people pay attention to the revolutionary and fighting nature of printmaking art, and often ignore the folklore of printmaking art. As a unique art form, printmaking has a long history, but the historical origin of printing art in Yan'an period should start with the new woodcarving art advocated by Mr. Lu Xun, which is also the beginning of Chinese creative printing. In particular, with the outbreak of the Anti-Japanese War, artists went to Yan'an to use art as a revolutionary weapon, but in the course of the development of print art, they adopted the spiritual guidance of "speaking at a forum on literature and art." Printmaking artists incorporate folk art into the creation of printmaking, and walk out of an artistic road with folk characteristics, which has a great impact on the development of print art in other areas or after. The first chapter is mainly to analyze the initial formation of the folk nature of Yan'an printmaking, taking the emerging print art advocated by Mr. Lu Xun as the starting point, to analyze the origin and the historical environment of the birth of the new printmaking art. And the new ideas, new techniques, and the relationship between the new printmaking and the printmaking art of the national district under the influence of the special environment of Yan'an, as well as the new ideas and techniques of the new printmaking; Chapter two: a comparative study of Yan'an traditional prints and new prints, especially focusing on the folk characteristics of Yan'an printmaking art. Through the influence of the spirit of "speaking at the Symposium on Literature and Art", this paper analyzes the effect on the formation of artistic folklore of Yan'an printmaking, and compares their similarities and differences. Chapter three: this chapter is the key chapter of this paper. It mainly focuses on the folklore of printing art in Yan'an period. At that time, China was in a relatively special historical period. Perhaps you are concerned about the role of printmaking in revolution and fighting, ignoring the most important folk-custom characteristics. Folk culture is a very important part of our life, we can combine folk culture with artistic creation very well. Chapter four: mainly analyzes the influence of the folklore of printing art in Yan'an period on the art of new China. The similarities and differences between the folklore of printing art of Yan'an period and that of New China, and the influence of the folklore of print art of Yan'an period on the development of folk custom of printing art of New China. Yan'an printmaking, as an art growing up in the special historical period and social environment, occupies a unique position in the history of Chinese and American art. It is necessary not only to analyze its ideological connotation, but also to analyze the reasons for its formation. Re-recognize and evaluate the characteristics and impacts. This has a great enlightenment for the healthy development of Chinese art and the development of Chinese art towards the world and the future.
【學位授予單位】：湖南師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J217
本文編號：2444024
[Abstract]:The printing art of Yan'an period (1937-1945) is unique in the history of Chinese painting, especially in this very special historical period, people pay attention to the revolutionary and fighting nature of printmaking art, and often ignore the folklore of printmaking art. As a unique art form, printmaking has a long history, but the historical origin of printing art in Yan'an period should start with the new woodcarving art advocated by Mr. Lu Xun, which is also the beginning of Chinese creative printing. In particular, with the outbreak of the Anti-Japanese War, artists went to Yan'an to use art as a revolutionary weapon, but in the course of the development of print art, they adopted the spiritual guidance of "speaking at a forum on literature and art." Printmaking artists incorporate folk art into the creation of printmaking, and walk out of an artistic road with folk characteristics, which has a great impact on the development of print art in other areas or after. The first chapter is mainly to analyze the initial formation of the folk nature of Yan'an printmaking, taking the emerging print art advocated by Mr. Lu Xun as the starting point, to analyze the origin and the historical environment of the birth of the new printmaking art. And the new ideas, new techniques, and the relationship between the new printmaking and the printmaking art of the national district under the influence of the special environment of Yan'an, as well as the new ideas and techniques of the new printmaking; Chapter two: a comparative study of Yan'an traditional prints and new prints, especially focusing on the folk characteristics of Yan'an printmaking art. Through the influence of the spirit of "speaking at the Symposium on Literature and Art", this paper analyzes the effect on the formation of artistic folklore of Yan'an printmaking, and compares their similarities and differences. Chapter three: this chapter is the key chapter of this paper. It mainly focuses on the folklore of printing art in Yan'an period. At that time, China was in a relatively special historical period. Perhaps you are concerned about the role of printmaking in revolution and fighting, ignoring the most important folk-custom characteristics. Folk culture is a very important part of our life, we can combine folk culture with artistic creation very well. Chapter four: mainly analyzes the influence of the folklore of printing art in Yan'an period on the art of new China. The similarities and differences between the folklore of printing art of Yan'an period and that of New China, and the influence of the folklore of print art of Yan'an period on the development of folk custom of printing art of New China. Yan'an printmaking, as an art growing up in the special historical period and social environment, occupies a unique position in the history of Chinese and American art. It is necessary not only to analyze its ideological connotation, but also to analyze the reasons for its formation. Re-recognize and evaluate the characteristics and impacts. This has a great enlightenment for the healthy development of Chinese art and the development of Chinese art towards the world and the future.
【學位授予單位】：湖南師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J217
【參考文獻】
相關期刊論文 前3條
1 古元;回到農(nóng)村去[J];美術;1958年01期
2 古元;到“大沷藝”去學習[J];美術;1962年03期
3 謝春;;魯迅與近代中國新興木刻的發(fā)展[J];中國美術館;2008年10期
，本文編號：2444024
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