濟(jì)南文化墻形態(tài)淺析
發(fā)布時(shí)間：2019-01-22 13:24
【摘要】：壁畫藝術(shù)，是中國(guó)古典藝術(shù)文明的驕傲，壁畫是隨時(shí)代而變遷的，每一個(gè)時(shí)代都有其相應(yīng)的獨(dú)特的時(shí)代特色，我們可以從壁畫的歷史發(fā)展和實(shí)踐來(lái)證實(shí)。在人類歷史的進(jìn)程中，藝術(shù)往往最敏銳的走在時(shí)代發(fā)展的前沿，17世紀(jì)伴隨著英國(guó)產(chǎn)業(yè)革命和“新藝術(shù)運(yùn)動(dòng)”的展開，壁畫與現(xiàn)代藝術(shù)相結(jié)合向著“共享”的方向發(fā)展，壁畫進(jìn)入了城市大街小巷成為一種“時(shí)尚”，即街道壁畫，自此迎來(lái)了街道壁畫新的時(shí)代機(jī)遇。街道壁畫開始大量涌現(xiàn)，，它的設(shè)計(jì)創(chuàng)作更加注重環(huán)境藝術(shù)的總體思考，通常繪制于建筑外觀或墻壁上,與整體環(huán)境協(xié)調(diào)一致，因此呈現(xiàn)在人們面前的是一種公共藝術(shù)的形式，各種幽默、荒誕、涂鴉等表現(xiàn)形式層出不盡。街道壁畫體現(xiàn)了一定的公共性、大眾性、娛樂性等現(xiàn)代娛樂的審美觀念，然而，街道壁畫在國(guó)內(nèi)興起比較晚,直到20世紀(jì)90年代,街道壁畫才出現(xiàn)在我國(guó)城市之中，即后來(lái)所廣泛流傳的“文化墻”。藝術(shù)家們通過(guò)對(duì)建筑、公共設(shè)施、公共環(huán)境的設(shè)計(jì)創(chuàng)作，賦予“文化墻”以新的形式，新的生命力，簡(jiǎn)言之，“文化墻”即以墻體作載體制造的各種類型的壁畫。 “文化墻”從其形態(tài)上形成了“公共藝術(shù)”或“環(huán)境藝術(shù)”的概念，造型豐富多樣，材料的形勢(shì)也趨向多樣化，形成了藝術(shù)家們追求的藝術(shù)與建筑空間環(huán)境渾然一體的美化效果，提高了建筑的檔次和品位，使建筑具有文化藝術(shù)的格調(diào)，極具彰顯了時(shí)代與民族的特色。本文通過(guò)自身對(duì)濟(jì)南“文化墻”資料的搜集、拍照、整理、研究等，對(duì)濟(jì)南“文化墻”之形態(tài)進(jìn)行簡(jiǎn)要分析，共從三方面進(jìn)行論述：首先，第一部分簡(jiǎn)述“文化墻”的發(fā)展淵源，簡(jiǎn)要闡明了“文化墻”的概念及其發(fā)展；第二部分淺析濟(jì)南街頭“文化墻”的類型，通過(guò)“招式”的展示，美化的意味，“助人倫”的職能，時(shí)代的氣息四方面進(jìn)行分析；第三部分主要探討濟(jì)南“文化墻”的現(xiàn)有問(wèn)題以及對(duì)濟(jì)南“文化墻”的未來(lái)發(fā)展展望，“文化墻”目前仍存在許多問(wèn)題，文化內(nèi)涵的缺失，市場(chǎng)經(jīng)濟(jì)的過(guò)分干預(yù)，創(chuàng)新精神的缺乏，毀壞現(xiàn)象的嚴(yán)重等給“文化墻”的發(fā)展帶來(lái)了阻礙。我們應(yīng)正確認(rèn)識(shí)到問(wèn)題的癥結(jié)所在，從而更好地充分體現(xiàn)“文化墻”的藝術(shù)價(jià)值和審美價(jià)值，它改變了濟(jì)南這座城市建筑沉悶、單調(diào)的外形，提升了濟(jì)南的文化形象，豐富了濟(jì)南的文化色彩，彰顯濟(jì)南深厚的文化底蘊(yùn)，提高了濟(jì)南的文化檔次，使我們的日常生活環(huán)境變得藝術(shù)化，使現(xiàn)實(shí)世界與藝術(shù)世界巧妙地結(jié)合在一起，同時(shí)又彰顯了壁畫的魅力。濟(jì)南“文化墻”以倡導(dǎo)文明、健康運(yùn)動(dòng)、公益宣傳、綠色環(huán)保、文化建設(shè)、推廣城市品牌建設(shè)以及幫助城市提升品牌形象為己任，同時(shí)，濟(jì)南“文化墻”也描繪出了和諧、文明、人文、藝術(shù)的城市風(fēng)景線。
[Abstract]:The mural art is the pride of the Chinese classical art civilization, and the murals change with the times. Each time has its own unique characteristics of the times, which can be proved by the historical development and practice of the murals. In the process of human history, art is often the most acutely in the forefront of the development of the times. With the development of the British Industrial Revolution and the "New Art Movement" in the 17th century, the combination of murals and modern art developed in the direction of "sharing". Murals enter the city streets and alleys become a "fashion", that is street murals, since then ushered in a new era of street murals opportunities. Street murals began to emerge in large numbers, and their design and creation paid more attention to the overall thinking of environmental art. They were usually painted on the architectural appearance or on the walls, in harmony with the overall environment, so what appeared in front of people was a form of public art. Various kinds of humor, absurdity, graffiti and other forms of expression are endless. Street murals embody some aesthetic concepts of modern entertainment, such as public, popular, entertaining, etc. However, street murals rose relatively late in China, until the 1990s, street murals did not appear in the cities of our country. That is, the later widespread spread of the "wall of culture." Through the design and creation of architecture, public facilities and public environment, the artists endow the "cultural wall" with new forms and new vitality. In short, "cultural wall" is all kinds of murals made with the wall as its carrier. The "cultural wall" forms the concept of "public art" or "environmental art" from its shape. It forms the beautification effect of art and architectural space environment that artists pursue, improves the grade and grade of architecture, makes architecture have the style of culture and art, and shows the characteristics of the times and nations. Based on the collection, photograph, arrangement and research of the "cultural wall" in Jinan, this paper makes a brief analysis of the form of the "cultural wall" in Jinan, and discusses it from three aspects: first, The first part briefly describes the origin of the development of "cultural wall", briefly expounds the concept of "cultural wall" and its development; The second part analyzes the type of "cultural wall" in the street of Jinan, through the display of "style", the meaning of beautification, the function of "helping others" and the breath of the times. The third part mainly discusses the existing problems of the "cultural wall" in Jinan and the prospect of the future development of the "cultural wall" in Jinan. There are still many problems in the "cultural wall" at present, the lack of cultural connotation and the excessive intervention of the market economy. The lack of innovative spirit and the serious destruction have hindered the development of the cultural wall. We should correctly recognize the crux of the problem so as to better reflect the artistic value and aesthetic value of the "cultural wall", which has changed the dull and monotonous shape of the city's architecture and promoted the cultural image of Jinan. It enriches the cultural color of Jinan, reveals the profound cultural background of Jinan, improves the cultural level of Jinan, makes our daily living environment artistic, and makes the real world and the artistic world together skillfully. At the same time, it also shows the charm of the murals. Jinan "Cultural Wall" advocates civilization, health movement, public welfare propaganda, green environmental protection, cultural construction, promotion of urban brand construction and help the city to promote the image of the brand. At the same time, Jinan "Cultural Wall" also describes the harmony. The city landscape of civilization, humanities and art.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J218.6
本文編號(hào)：2413249
[Abstract]:The mural art is the pride of the Chinese classical art civilization, and the murals change with the times. Each time has its own unique characteristics of the times, which can be proved by the historical development and practice of the murals. In the process of human history, art is often the most acutely in the forefront of the development of the times. With the development of the British Industrial Revolution and the "New Art Movement" in the 17th century, the combination of murals and modern art developed in the direction of "sharing". Murals enter the city streets and alleys become a "fashion", that is street murals, since then ushered in a new era of street murals opportunities. Street murals began to emerge in large numbers, and their design and creation paid more attention to the overall thinking of environmental art. They were usually painted on the architectural appearance or on the walls, in harmony with the overall environment, so what appeared in front of people was a form of public art. Various kinds of humor, absurdity, graffiti and other forms of expression are endless. Street murals embody some aesthetic concepts of modern entertainment, such as public, popular, entertaining, etc. However, street murals rose relatively late in China, until the 1990s, street murals did not appear in the cities of our country. That is, the later widespread spread of the "wall of culture." Through the design and creation of architecture, public facilities and public environment, the artists endow the "cultural wall" with new forms and new vitality. In short, "cultural wall" is all kinds of murals made with the wall as its carrier. The "cultural wall" forms the concept of "public art" or "environmental art" from its shape. It forms the beautification effect of art and architectural space environment that artists pursue, improves the grade and grade of architecture, makes architecture have the style of culture and art, and shows the characteristics of the times and nations. Based on the collection, photograph, arrangement and research of the "cultural wall" in Jinan, this paper makes a brief analysis of the form of the "cultural wall" in Jinan, and discusses it from three aspects: first, The first part briefly describes the origin of the development of "cultural wall", briefly expounds the concept of "cultural wall" and its development; The second part analyzes the type of "cultural wall" in the street of Jinan, through the display of "style", the meaning of beautification, the function of "helping others" and the breath of the times. The third part mainly discusses the existing problems of the "cultural wall" in Jinan and the prospect of the future development of the "cultural wall" in Jinan. There are still many problems in the "cultural wall" at present, the lack of cultural connotation and the excessive intervention of the market economy. The lack of innovative spirit and the serious destruction have hindered the development of the cultural wall. We should correctly recognize the crux of the problem so as to better reflect the artistic value and aesthetic value of the "cultural wall", which has changed the dull and monotonous shape of the city's architecture and promoted the cultural image of Jinan. It enriches the cultural color of Jinan, reveals the profound cultural background of Jinan, improves the cultural level of Jinan, makes our daily living environment artistic, and makes the real world and the artistic world together skillfully. At the same time, it also shows the charm of the murals. Jinan "Cultural Wall" advocates civilization, health movement, public welfare propaganda, green environmental protection, cultural construction, promotion of urban brand construction and help the city to promote the image of the brand. At the same time, Jinan "Cultural Wall" also describes the harmony. The city landscape of civilization, humanities and art.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J218.6
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