【摘要】：界畫是我國傳統(tǒng)繪畫畫壇中的一個(gè)典型的代表，是一種典型的繪畫表現(xiàn)形式。在界畫歷史發(fā)展中，經(jīng)歷潮起潮落的時(shí)代變遷讓這一朵絢麗的花在歷史中得以保留和發(fā)展。界畫一直備受人們的喜愛，界畫以其精工細(xì)密、嚴(yán)謹(jǐn)寫實(shí)的方法來表現(xiàn)物象，但不拘泥于色彩的寫實(shí)性，畫家在創(chuàng)作的過程中能主動(dòng)的運(yùn)用色彩語言，創(chuàng)造出金碧輝煌、青綠純凈、清淡雅逸的不同風(fēng)格。中國繪畫從原始時(shí)代 到漢代是質(zhì)樸厚拙的幼稚時(shí)期，魏晉南北朝以后，，繪畫向細(xì)密精確的方向發(fā)展，到唐代達(dá)到一個(gè)高峰，五代兩宋這種風(fēng)氣已經(jīng)達(dá)到了極點(diǎn)。唐代后期，寫意畫悄然而生，從而代替了精雕細(xì)琢的藝術(shù)傳統(tǒng)，及至明清，寫意畫為畫壇主體，界畫隨之衰微。南宋不僅是我國古代繪畫史上的繁榮時(shí)期，而且是界畫發(fā)展的鼎盛時(shí)期，為中國藝術(shù)文化做出了巨大的貢獻(xiàn)。宋徽宗時(shí)期建立了翰林書畫院，名聲大作，培養(yǎng)了一批杰出畫家，為中國藝術(shù)文化遺產(chǎn)留下寶貴的財(cái)富，功不可沒。畫院里所畫的山水，花鳥，人物等大都是要求用筆設(shè)色，工整細(xì)致，富麗堂皇，構(gòu)圖嚴(yán)謹(jǐn)，色彩燦爛，有較強(qiáng)的裝飾性。這樣南宋界畫才發(fā)展到興盛并且占據(jù)著和重要的位置。在現(xiàn)代山水畫藝術(shù)革命和發(fā)展的今天，我們一方面離不開對現(xiàn)實(shí)生活的感受和體驗(yàn)，對時(shí)代精神覺悟和把握：另一方面也離不開對古老傳統(tǒng)文化藝術(shù)精神的學(xué)習(xí)和繼承。因此我的問題就是從南宋這個(gè)異常繁榮的繪畫藝術(shù)中去研究南宋界畫山水問題。 對于界畫的發(fā)展和研究現(xiàn)狀可以看出，界畫是一個(gè)很具有代表性的畫科。觀中國的繪畫史，是一個(gè)文化的遺傳史，傳統(tǒng)藝術(shù)對于我們來說就是繼承那些優(yōu)秀的、重理的、重個(gè)性的、重創(chuàng)造的、不斷突變和飛躍的藝術(shù)。在絢麗多姿的藝術(shù)長河里，一切都有源淵，有根有本，但歷經(jīng)了時(shí)間的考驗(yàn)，注入了時(shí)代氣息的藝術(shù)才能保持它生生不息的繁衍能力和常青不敗的藝術(shù)魅力。中國傳統(tǒng)文化有著極其巨大的潛力和對世界的影響力。中國古典繪畫的優(yōu)秀傳統(tǒng)具有深邃的意境、獨(dú)具匠心、強(qiáng)烈的個(gè)性，以詩為魂、以書為骨，其精深的文化內(nèi)涵有無窮的表現(xiàn)力，足以使中國畫以其強(qiáng)烈的民族性躋身于世界藝術(shù)之林，永葆雋美。 界畫是是中國繪畫中十分具有特色的一個(gè)門類，適于畫建筑物，其他景物用工筆技法配合，通稱為“工筆界畫”。早期的界畫，專指以亭臺樓閣為主要表現(xiàn)對象，用界尺引筆畫線的表現(xiàn)方法。但隨著時(shí)間的推移，界畫的內(nèi)涵發(fā)生了一些變化，擴(kuò)展到廣義上，包括宮室、器物、車船等。界畫的早期形式不同程度地借鑒了人物畫和山水畫的創(chuàng)作方法，以及建筑的設(shè)計(jì)方法。然而隨著界畫的發(fā)展，不斷得到社會(huì)各階層的歡迎和喜愛，許多畫家以工謹(jǐn)絢麗的畫筆，孜孜不倦地描繪宮苑的奢華。然而，元、明、清幾代又因?yàn)楸晃娜水嫷牡臎_擊又一直消沉。直到近代界畫的藝術(shù)價(jià)值才逐漸慢慢的被人認(rèn)識到。在此的影響下關(guān)于界畫的分析資料才得以多了起來，許多在當(dāng)代的名家也從多個(gè)角度去分析、研究它，以便于我們能更好的繼承我們祖先的優(yōu)秀傳統(tǒng)。
[Abstract]:The painting of the world is a typical representation in the traditional Chinese painting and painting, and is a typical form of painting. In the development of the history of the world, the change of the time that has experienced the ebb and flow of the tide has made this a gorgeous flower to be preserved and developed in the history. The painting of the world has always been loved by the people, the world painting expresses the object image with its fine, precise and realistic method, but it is not restricted to the nature of the color, and the painter can actively use the color language in the process of creation, and create different styles of golden and green, green and pure and elegant and elegant. The Chinese Painting from the Original Age In the Han Dynasty, it was a primitive period of simple and thick, and after the Wei, Jin and Southern Dynasties, the painting developed into a fine and precise direction, and reached a peak in the Tang Dynasty. In the late Tang Dynasty, the painting of the Tang Dynasty was quietly and born, replacing the fine and fine art tradition, and the painting as the main body of the painting in the Ming and Qing Dynasties. The Southern Song Dynasty is not only the prosperous period in the history of the ancient Chinese painting, but also the heyday of the development of the world, and made great tribute to the Chinese art culture. in that period of the Song of the Song, the Han lin's calligraphy and painting house was set up, with a great reputation and a great number of outstanding artists, which left precious wealth for the Chinese art and cultural heritage. No. The landscape, the flower bird, the character and so on in the drawing house are mostly required to use the pen to set up the color, the work is fine, the magnificent, the composition is strict, the color is brilliant, has a stronger decoration In this way, the painting of the Southern Song Dynasty developed to the flourishing and occupied and important place On the one hand, in the present day of the art revolution and development of the modern landscape painting, on the one hand, on the one hand, we can't leave the feeling and experience of the real life, and to realize and grasp the spirit of the times. On the other hand, the study and follow-up of the ancient traditional culture and art spirit cannot be separated from the other. Therefore, my problem is to study the landscape of the Southern Song Dynasty from the abnormal and prosperous painting art of the Southern Song Dynasty. The development of the boundary picture and the research status of the study can be seen, the boundary picture is a very representative The painting and painting history of China is a history of the inheritance of a culture, and the traditional art is the inheritance of the excellent, rerational, heavy personality, re-creation, continuous mutation and leap for us. The art of the art. In the colorful art long river, everything is active, there is the root, but after the test of time, the art of the time is injected to keep it alive and the undefeated art. The charm of the operation. The Chinese traditional culture has great potential and the world The great tradition of Chinese classical painting has the deep-rooted artistic conception, the unique and the strong personality, the poetry as the soul, the book as the bone, its profound cultural connotation has infinite expressive force, enough to make the traditional Chinese painting to be the forest of the world art with its strong national character, and forever The painting of the world is one of the most distinctive features of Chinese painting, which is suitable for drawing buildings, and other scenery is matched with the techniques of the pen-and-pen technique, which is commonly referred to as" trunk> "pen-and-pen paining" . The early-boundary picture, which means that the pavilion is the main expression object, and the stroke line is drawn by the boundary ruler. But over time, the connotation of the world painting has changed, extended to the broad sense, including the palace, the device. In the early form of the painting, the creative method of the figure painting and the landscape painting is used for reference, and the building However, with the development of the world painting, the welcome and love of all kinds of society are continuously obtained, and many artists have been painstakingly portrayed by the art of painting and painting. The luxuries of the Palace Garden. However, the yuan, the Ming and the Qing dynasties are due to the impact of the literati painting. It's been down until the value of the art in the modern world. It is recognized that, under the influence of this, the analysis of the boundary picture is made more, and many in the contemporary famous family also from a number of angles to analyze, study it, so that we can better inherit our ancestors
【學(xué)位授予單位】：河南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J209.2

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本文編號：2410813