【摘要】：隨著社會(huì)的發(fā)展,人們的審美水平和精神需求不斷提高,中國畫的發(fā)展也不斷的走向新的層面。在畫面結(jié)構(gòu)、意境追求、技法表現(xiàn)等方面,都有了一系列的創(chuàng)新和突破,展現(xiàn)出各種各樣的藝術(shù)形態(tài)。本文中我盡量以樹立鮮明的關(guān)注現(xiàn)實(shí)的態(tài)度,采用獨(dú)特的觀察視角,運(yùn)用并結(jié)合創(chuàng)新的現(xiàn)實(shí)繪畫語言來表現(xiàn)我對(duì)中國畫的認(rèn)識(shí)。本文通過我對(duì)“夏”的理解和認(rèn)知,將夏天中的意象和物象借助色彩和形體,分析暈染法語言的藝術(shù)魅力,產(chǎn)生由視覺上的審美轉(zhuǎn)化為藝術(shù)上的表達(dá)。在創(chuàng)作實(shí)踐的基礎(chǔ)上,總結(jié)了在繪畫創(chuàng)作過程中的思考與感悟,力求達(dá)到對(duì)自然的提煉與情感表達(dá)上的統(tǒng)一。
[Abstract]:With the development of society, people's aesthetic level and spiritual demand are constantly improving, and the development of Chinese painting is moving to a new level. There are a series of innovations and breakthroughs in picture structure, artistic conception pursuit, technique expression and so on, showing a variety of artistic forms. In this paper, I try to establish a clear attitude to pay attention to reality, adopt a unique perspective of observation, and use and combine with innovative realistic painting language to express my understanding of Chinese painting. Through my understanding and cognition of "summer", this paper analyzes the artistic charm of the language of dizziness through the help of color and form of images and images in summer, and produces the transformation from visual aesthetics to artistic expression. On the basis of creative practice, this paper summarizes the thinking and perception in the process of painting creation, and tries to achieve the unity of the extraction of nature and the expression of emotion.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J212
，

本文編號(hào)：2400429