淺析20世紀(jì)80-90年代中國黑白木刻的表現(xiàn)語言
發(fā)布時(shí)間：2018-12-29 16:36
【摘要】：從20世紀(jì)80年代開始,中國改革開放以及社會(huì)經(jīng)濟(jì)政治的巨大變化,給中國美術(shù)界帶來了新的思潮,版畫這個(gè)曾經(jīng)被視為“革命的武器”的藝術(shù)種類在這個(gè)時(shí)期也受到了這股思想熱潮的強(qiáng)力沖擊,并展示出了它全新的風(fēng)貌。學(xué)院派版畫開始興起以及各類抒情版畫的風(fēng)靡讓中國黑白木刻版畫無論是在風(fēng)格還是在題材和技術(shù)上都呈現(xiàn)出豐富多彩且十分繁榮的景象。藝術(shù)家們脫離了傳統(tǒng)語言的束縛,在造型、構(gòu)圖和對美的追求上有了更多自己的想法,畫面的內(nèi)容不再是以傳統(tǒng)的革命題材為主。各個(gè)地方的版畫開始活躍頻繁交流。新時(shí)期的版畫家們開始注重個(gè)性的表現(xiàn),借助西方的藝術(shù)理念并豐富中國黑白木刻版畫的表現(xiàn)語言和形式。力求在刀法、黑白構(gòu)成等方面的突破,增強(qiáng)了畫面中的形式美感。有的藝術(shù)家還在構(gòu)圖和形體肌理等方面進(jìn)行研究,突破了以往版畫在構(gòu)圖形式等方面雷同的問題,開拓了版畫藝術(shù)的新篇章。
[Abstract]:Since the 1980s, great changes in China's reform and opening up, as well as social, economic and political changes, have brought a new trend of thought to the Chinese art community. Printmaking, once regarded as a "revolutionary weapon", was also strongly impacted by this ideological craze in this period, and showed its brand-new features. The rise of academic printmaking and the popularity of all kinds of lyric prints make Chinese black-and-white woodcut prints present a rich and prosperous scene both in style and in subject matter and technology. Artists break away from the shackles of traditional language and have more ideas in modeling, composition and pursuit of beauty. The content of the picture is no longer based on traditional revolutionary themes. Printmaking in various places began to be active and frequent communication. In the new period, printmakers began to pay attention to the expression of individuality, with the help of western artistic ideas and enrich the expression language and form of Chinese black-and-white woodcut prints. Strive for a breakthrough in knife method, black and white constitution, enhance the aesthetic sense of form in the screen. Some artists also study the composition and texture of the body, breaking through the problem of the same composition form in the past, and opening up a new chapter in the art of printmaking.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J217
[Abstract]:Since the 1980s, great changes in China's reform and opening up, as well as social, economic and political changes, have brought a new trend of thought to the Chinese art community. Printmaking, once regarded as a "revolutionary weapon", was also strongly impacted by this ideological craze in this period, and showed its brand-new features. The rise of academic printmaking and the popularity of all kinds of lyric prints make Chinese black-and-white woodcut prints present a rich and prosperous scene both in style and in subject matter and technology. Artists break away from the shackles of traditional language and have more ideas in modeling, composition and pursuit of beauty. The content of the picture is no longer based on traditional revolutionary themes. Printmaking in various places began to be active and frequent communication. In the new period, printmakers began to pay attention to the expression of individuality, with the help of western artistic ideas and enrich the expression language and form of Chinese black-and-white woodcut prints. Strive for a breakthrough in knife method, black and white constitution, enhance the aesthetic sense of form in the screen. Some artists also study the composition and texture of the body, breaking through the problem of the same composition form in the past, and opening up a new chapter in the art of printmaking.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J217
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