【摘要】：中國(guó)傳統(tǒng)繪畫藝術(shù)包羅萬(wàn)象、寓意八方。作為三大畫科之一的花鳥畫,體現(xiàn)了人與大自然的和諧相處,從而間接地反應(yīng)社會(huì)生活,具有獨(dú)特的審美趣味。在花鳥畫的創(chuàng)作實(shí)踐過程中,我們要理性的對(duì)待傳統(tǒng)藝術(shù),在批判中繼承,在繼承中大膽創(chuàng)新。本文以元代墨花墨禽繪畫語(yǔ)言為切入點(diǎn),分析從“徐黃異體”到“墨花墨禽”花鳥畫藝術(shù)風(fēng)格形成的時(shí)代背景與文學(xué)因素。進(jìn)而探討隱逸思想賦予花鳥畫人格化的審美感悟以及在花鳥畫創(chuàng)作中對(duì)于精神層面的審美追求。以王淵為例,從其獨(dú)特的人文情懷與筆墨語(yǔ)言進(jìn)行論述,并運(yùn)用到筆者的創(chuàng)作中。淺談工筆花鳥畫創(chuàng)作的過程中,對(duì)題材的選取、技法的研究以及意境的營(yíng)造的創(chuàng)新。我們應(yīng)重視創(chuàng)新要建立在繼承優(yōu)秀傳統(tǒng)的基礎(chǔ)之上,與此同時(shí)還要注重對(duì)自身文學(xué)與藝術(shù)修養(yǎng)的提升。本論文主要采用個(gè)案研究法、文獻(xiàn)研究法、圖像分析法,通過分析花鳥畫的演變,解讀元代墨花墨禽繪畫風(fēng)格形成的原因,分析其審美旨趣。結(jié)合筆者在創(chuàng)作實(shí)踐中的感悟,系統(tǒng)的將理論與實(shí)踐相融合,以理論促進(jìn)實(shí)踐。此外,筆者意在通過實(shí)踐研究中總結(jié)方法,創(chuàng)作出更加耐人尋味的作品,并達(dá)到與讀者心靈上的共鳴。
[Abstract]:The traditional Chinese painting art is all-encompassing, implying all directions. As one of the three painting subjects, flower and bird painting embodies the harmony between human beings and nature, which indirectly reflects social life and has a unique aesthetic interest. In the process of flower-and-bird painting creation, we should treat traditional art rationally, inherit from criticism, and innovate boldly in inheritance. Based on the painting language of ink flower and bird in Yuan Dynasty, this paper analyzes the background and literary factors of the formation of the artistic style of flower and bird painting from "Xu Huang variant" to "ink flower ink bird". Then it discusses the aesthetic perception of humanization of flower and bird painting and the aesthetic pursuit of spiritual level in flower and bird painting creation. Taking Wang Yuan as an example, this paper discusses his unique humanistic feelings and pen and ink language, and applies them to the author's creation. The selection of theme, the study of techniques and the creation of artistic conception in the process of fine brushwork flower-and-bird painting creation. We should attach importance to innovation on the basis of inheriting excellent tradition, and at the same time, we should pay attention to the improvement of our own literary and artistic accomplishment. This paper mainly adopts the case study method, the literature research method, the image analysis method, through the analysis flower and bird painting evolution, unscrambles the Yuan Dynasty ink flower ink bird painting style formation reason, analyzes its esthetic purport. Combined with the writer's perception in the creative practice, the author systematically combines theory with practice and promotes practice with theory. In addition, the author intends to sum up the methods through practical research, create more intriguing works, and reach to the soul of the reader.
【學(xué)位授予單位】：山東工藝美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J212

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