八大山人花鳥畫“空白”研究
發(fā)布時(shí)間：2018-12-15 17:59
【摘要】：中國畫的“空白”觀有著深刻的哲學(xué)淵源,是儒釋道的虛實(shí)觀、陰陽觀、色空觀在繪畫中的哲學(xué)體現(xiàn),本文主要分析的是八大山人的“空白”觀,結(jié)合中國文化儒釋道的傳統(tǒng)哲學(xué)對八大山人花鳥畫的“空白”進(jìn)行分析,根據(jù)八大山人的生平、書畫名款、所用圖章及書法繪畫風(fēng)格的分期將八大山人花鳥畫的“空白”分為傳承期、發(fā)展期、成熟期。文章的主體部分主要以成熟期的作品為例,分別從道家的陰陽觀、禪宗的色空觀及文人畫脈絡(luò)對八大的“空白”進(jìn)行分析。八大在追求文人畫筆墨意趣的基礎(chǔ)上進(jìn)一步將“空白”提純出來,使得“空白”跟筆墨一樣成為單獨(dú)的審美客體。建立起具有抽象形式美感的畫面結(jié)構(gòu),將“空白”審美內(nèi)涵推向了個(gè)更高的境界,并對后人產(chǎn)生了深遠(yuǎn)的影響。
[Abstract]:The "blank" view of Chinese painting has a profound philosophical origin. It is the philosophical embodiment of Confucianism, Buddhism, Taoism, yin and yang, color and space in painting. Combined with the traditional philosophy of Confucianism, Buddhism and Taoism in Chinese culture, the "blank" of the flower and bird paintings of the eight great mountain people is analyzed. According to the life history of the eight great mountain people, the famous calligraphy and painting funds, The seal and calligraphy and painting style divided the "blank" of the eight mountain people into succession period, development period and mature stage. The main part of the article mainly takes the mature period works as an example, respectively from the Taoist view of Yin and Yang, Zen color space view and literati painting context of the eight "blank" analysis. On the basis of pursuing the interest of literati painting, the eighth Congress further purifies "blank" and makes "blank" as a separate aesthetic object. The establishment of a picture structure with an abstract aesthetic sense has pushed the aesthetic connotation of "blank" to a higher level, and has had a profound impact on future generations.
【學(xué)位授予單位】：中央美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J212
本文編號：2381062
[Abstract]:The "blank" view of Chinese painting has a profound philosophical origin. It is the philosophical embodiment of Confucianism, Buddhism, Taoism, yin and yang, color and space in painting. Combined with the traditional philosophy of Confucianism, Buddhism and Taoism in Chinese culture, the "blank" of the flower and bird paintings of the eight great mountain people is analyzed. According to the life history of the eight great mountain people, the famous calligraphy and painting funds, The seal and calligraphy and painting style divided the "blank" of the eight mountain people into succession period, development period and mature stage. The main part of the article mainly takes the mature period works as an example, respectively from the Taoist view of Yin and Yang, Zen color space view and literati painting context of the eight "blank" analysis. On the basis of pursuing the interest of literati painting, the eighth Congress further purifies "blank" and makes "blank" as a separate aesthetic object. The establishment of a picture structure with an abstract aesthetic sense has pushed the aesthetic connotation of "blank" to a higher level, and has had a profound impact on future generations.
【學(xué)位授予單位】：中央美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J212
【共引文獻(xiàn)】
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，本文編號：2381062
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