【摘要】：本文首先討論“陌生化”理論的由來,然后從油畫的角度切入“陌生化”理論,用“陌生化圖像”來定義油畫創(chuàng)作中藝術(shù)家是如何運(yùn)用“陌生化”方式來完成作品的,通過對(duì)“陌生化圖像”的探討證明其在藝術(shù)創(chuàng)作中的價(jià)值。在繪畫藝術(shù)中,“真實(shí)”是建立在生活真實(shí)與藝術(shù)真實(shí)之上的,生活真實(shí)是藝術(shù)真實(shí)的來源,藝術(shù)真實(shí)是審美判斷的標(biāo)準(zhǔn),也是每一個(gè)繪畫創(chuàng)造者的追求,而本文就以此為基點(diǎn),通過對(duì)自己油畫創(chuàng)作實(shí)踐中“陌生化圖像”的實(shí)現(xiàn)以及對(duì)“真實(shí)”的認(rèn)識(shí),來探討“陌生化圖像”在繪畫領(lǐng)域的發(fā)展與價(jià)值。本文主體分為四個(gè)部分。文章第一部分,敘述了“陌生化”理論的發(fā)展和“陌生化圖像”概念的提出,以及其在現(xiàn)代藝術(shù)中的表現(xiàn),指出了“陌生化圖像”在現(xiàn)代藝術(shù)中的重要意義。第二個(gè)部分分析了在當(dāng)代油畫藝術(shù)創(chuàng)作中“陌生化圖像”的三個(gè)表現(xiàn),即獨(dú)特的創(chuàng)作方法、不同的結(jié)果呈現(xiàn)、多元的構(gòu)成要素。第三部分,分析了“真實(shí)”在油畫藝術(shù)中的體現(xiàn),從古典主義的追求再現(xiàn)與模仿的“真實(shí)”,到現(xiàn)代主義強(qiáng)調(diào)以藝術(shù)家為主題而表達(dá)的“真實(shí)”,再到后現(xiàn)代主義反藝術(shù)、反傳統(tǒng),否定繪畫中的個(gè)人情感和獨(dú)特的話語空間來表達(dá)的“真實(shí)”。第四個(gè)部分以我的油畫創(chuàng)作為中心,論述了我是通過油畫創(chuàng)作中“陌生化圖像”的四個(gè)部分來追求“真實(shí)”的,這四個(gè)部分分別為創(chuàng)作立意、創(chuàng)作方法、創(chuàng)作過程、創(chuàng)作結(jié)果。
[Abstract]:This paper first discusses the origin of the theory of "defamiliarization", then from the perspective of oil painting into the theory of "defamiliarization", using "defamiliarization image" to define how artists use "defamiliarization" to complete their works. Through the discussion of "defamiliarization image", it proves its value in artistic creation. In the art of painting, "truth" is based on the reality of life and the truth of art. The truth of life is the source of artistic truth, and the art truth is the standard of aesthetic judgment and the pursuit of every creator of painting. Based on this, this paper discusses the development and value of "defamiliarization image" in the field of painting through the realization of "defamiliarization image" in the practice of oil painting creation and the understanding of "real". The main body of this paper is divided into four parts. The first part of the article describes the development of the theory of "defamiliarization" and the concept of "defamiliarization image", as well as its expression in modern art, and points out the important significance of "defamiliarization image" in modern art. The second part analyzes the three manifestations of "defamiliarization image" in contemporary oil painting creation, that is, the unique creative method, the different result presentation and the pluralistic elements. The third part analyzes the embodiment of "reality" in oil painting art, from the pursuit of classicism to the pursuit of reproduction and imitation of "reality", to the modernist emphasis on "truth" expressed by the artist, and to the post-modernism anti-art. Anti-tradition, negates the personal emotion in painting and the unique discourse space to express the "truth". The fourth part takes my oil painting creation as the center, elaborated that I pursue "the reality" through the oil painting creation "defamiliarization image" four parts, these four parts separately for the creation idea, the creation method, the creation process, the creation result.
【學(xué)位授予單位】：西安美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J205

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本文編號(hào)：2380767